The taking of Ypres
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Summary
The taking of Ypres is a painting[1]. It is known by 3 alternative names across languages and contexts.[2]
Key Facts
- The taking of Ypres is the creator of Peter Snayers[3].
- The taking of Ypres's instance of is recorded as painting[4].
- The taking of Ypres is owned by Ferdinand VII of Spain[5].
- The taking of Ypres's genre is landscape painting[6].
- The taking of Ypres is made of oil paint[7].
- The taking of Ypres is made of canvas[8].
- The taking of Ypres's collection is recorded as Museo del Prado[9].
- The taking of Ypres's inventory number is recorded as P001740[10].
- The location of The taking of Ypres was Museo del Prado[11].
- The location of The taking of Ypres was Royal Palace of Aranjuez[12].
- The location of The taking of Ypres was Royal Palace of La Granja de San Ildefonso[13].
- The taking of Ypres's catalog code is recorded as 587[14].
- The taking of Ypres's catalog code is recorded as 1949[15].
- The taking of Ypres's catalog code is recorded as 2842[16].
- The taking of Ypres's catalog code is recorded as 1668[17].
- 1649 marks the founding of The taking of Ypres[18].
- The taking of Ypres's title is recorded as Inname van Ieper, 1649[19].
- The taking of Ypres's title is recorded as Capture of Ypres, 1649[20].
- The taking of Ypres's height is recorded as {'unit': 'http://www.wikidata.org/entity/Q174728', 'amount': '+184'}[21].
- The taking of Ypres's width is recorded as {'unit': 'http://www.wikidata.org/entity/Q174728', 'amount': '+263'}[22].
- The taking of Ypres's copyright status is recorded as public domain[23].
Body
Authorship and Creation
The taking of Ypres is the creator of Peter Snayers[3].
Publication
The taking of Ypres's genre is landscape painting[6].
Material and Period
Recorded made from material include oil paint[7] and canvas[8]. Recorded location include Museo del Prado[11], Royal Palace of Aranjuez[12], and Royal Palace of La Granja de San Ildefonso[13].
Why It Matters
The taking of Ypres is known by 3 alternative names across languages and contexts.[2]