The Kiss
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Summary
The Kiss is a sculpture[1]. It ranks in the top 2% of sculpture entities by monthly Wikipedia readership (1,809 views/month).[2]
Key Facts
- The Kiss is the creator of Auguste Rodin[3].
- The Kiss is in the country of France[4].
- The Kiss's instance of is recorded as sculpture[5].
- The Kiss's commissioned by is recorded as France[6].
- The Kiss is owned by France[7].
- The Kiss is associated with the Impressionism movement[8].
- The Kiss's genre is group of sculptures[9].
- The Kiss's based on is recorded as The Divine Comedy[10].
- The Kiss's depicts is recorded as man[11].
- The Kiss's depicts is recorded as woman[12].
- The Kiss's depicts is recorded as couple[13].
- The Kiss's depicts is recorded as nudity[14].
- The Kiss's depicts is recorded as sitting[15].
- The Kiss's depicts is recorded as kiss[16].
- The Kiss's depicts is recorded as Francesca da Rimini[17].
- The Kiss's depicts is recorded as Paolo Malatesta[18].
- The Kiss's depicts is recorded as hug[19].
- The Kiss's depicts is recorded as waist-length hair[20].
- The Kiss's depicts is recorded as pubic hair removal[21].
- The Kiss's depicts is recorded as female breast[22].
- The Kiss's depicts is recorded as navel[23].
- The Kiss's depicts is recorded as dimples of Venus[24].
- The Kiss's depicts is recorded as lovers' embrace[25].
- The Kiss is made of bronze[26].
- The Kiss is made of marble[27].
Body
Authorship and Creation
The Kiss is the creator of Auguste Rodin[3].
Publication
The Kiss's genre is group of sculptures[9].
Subject and Themes
The Kiss is associated with the Impressionism movement[8].
Material and Period
Recorded made from material include bronze[26] and marble[27]. Recorded location include Musée Rodin[28], France[29], and Museo Soumaya[30].
Why It Matters
The Kiss ranks in the top 2% of sculpture entities by monthly Wikipedia readership (1,809 views/month).[2] It has Wikipedia articles in 17 language editions, a strong signal of global cultural recognition.[31] It is known by 24 alternative names across languages and contexts.[32]