The Alchemist
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The Alchemist
Summary
The Alchemist is a painting[1]. It is known by 3 alternative names across languages and contexts.[2]
Key Facts
- The Alchemist is the creator of David Ryckaert III[3].
- The Alchemist's instance of is recorded as painting[4].
- The Alchemist is owned by Ferdinand VII of Spain[5].
- The Alchemist's genre is genre art[6].
- The Alchemist's depicts is recorded as scientific instrument[7].
- The Alchemist's depicts is recorded as alchemist[8].
- The Alchemist is made of oil paint[9].
- The Alchemist is made of panel[10].
- The Alchemist's collection is recorded as Museo del Prado[11].
- The Alchemist's inventory number is recorded as P001730[12].
- The Alchemist took place at Museo del Prado[13].
- The location of The Alchemist was Royal Palace of Aranjuez[14].
- The location of The Alchemist was Royal Palace of La Granja de San Ildefonso[15].
- The Alchemist's catalog code is recorded as 74[16].
- The Alchemist's catalog code is recorded as 7[17].
- The Alchemist's catalog code is recorded as 1609[18].
- The Alchemist's catalog code is recorded as 1657[19].
- The Alchemist's catalog code is recorded as 217[20].
- 1649 marks the founding of The Alchemist[21].
- The Alchemist's main subject is alchemist[22].
- The Alchemist's height is recorded as {'unit': 'http://www.wikidata.org/entity/Q174728', 'amount': '+58'}[23].
- The Alchemist's width is recorded as {'unit': 'http://www.wikidata.org/entity/Q174728', 'amount': '+86'}[24].
- The Alchemist's copyright status is recorded as public domain[25].
Body
Authorship and Creation
The Alchemist is the creator of David Ryckaert III[3].
Publication
The Alchemist's genre is genre art[6].
Subject and Themes
The Alchemist's main subject is alchemist[22].
Material and Period
Recorded made from material include oil paint[9] and panel[10]. Recorded location include Museo del Prado[13], Royal Palace of Aranjuez[14], and Royal Palace of La Granja de San Ildefonso[15].
Why It Matters
The Alchemist is known by 3 alternative names across languages and contexts.[2]