Saint Veronica
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Saint Veronica
Summary
Saint Veronica is a painting[1]. It is known by 5 alternative names across languages and contexts.[2]
Key Facts
- Saint Veronica is the creator of Bernardo Strozzi[3].
- Saint Veronica's religion is recorded as Christianity[4].
- Saint Veronica's instance of is recorded as painting[5].
- Saint Veronica is owned by Ferdinand VII of Spain[6].
- Saint Veronica's genre is religious art[7].
- Saint Veronica's depicts is recorded as Saint Veronica[8].
- Saint Veronica's depicts is recorded as Veil of Veronica held up by Veronica[9].
- Saint Veronica is made of oil paint[10].
- Saint Veronica is made of canvas[11].
- Saint Veronica's collection is recorded as Museo del Prado[12].
- Saint Veronica's inventory number is recorded as P000354[13].
- Saint Veronica took place at Museo del Prado[14].
- Saint Veronica took place at Royal Palace of Aranjuez[15].
- Saint Veronica took place at Royal Palace of La Granja de San Ildefonso[16].
- Saint Veronica's catalog code is recorded as 1094[17].
- Saint Veronica's catalog code is recorded as 761[18].
- Saint Veronica's catalog code is recorded as 406[19].
- 1620 marks the founding of Saint Veronica[20].
- Saint Veronica's main subject is Veil of Veronica[21].
- Saint Veronica's height is recorded as {'unit': 'http://www.wikidata.org/entity/Q174728', 'amount': '+168'}[22].
- Saint Veronica's width is recorded as {'unit': 'http://www.wikidata.org/entity/Q174728', 'amount': '+118'}[23].
- Saint Veronica's copyright status is recorded as public domain[24].
Body
Authorship and Creation
Saint Veronica is the creator of Bernardo Strozzi[3].
Publication
Saint Veronica's genre is religious art[7].
Subject and Themes
Saint Veronica's main subject is Veil of Veronica[21].
Material and Period
Recorded made from material include oil paint[10] and canvas[11]. Recorded location include Museo del Prado[14], Royal Palace of Aranjuez[15], and Royal Palace of La Granja de San Ildefonso[16].
Why It Matters
Saint Veronica is known by 5 alternative names across languages and contexts.[2]