The Strategy of the Snail
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The Strategy of the Snail
Summary
The Strategy of the Snail is a film[1]. It has Wikipedia articles in 8 language editions, a strong signal of global cultural recognition.[2]
Key Facts
- The Strategy of the Snail's instance of is recorded as film[3].
- The Strategy of the Snail was directed by Sergio Cabrera[4].
- The Strategy of the Snail's genre is comedy drama[5].
- The Strategy of the Snail's genre is comedy film[6].
- A cast member of The Strategy of the Snail was Carlos Vives[7].
- A cast member of The Strategy of the Snail was Frank Ramírez[8].
- A cast member of The Strategy of the Snail was Vicky Hernández[9].
- The Strategy of the Snail's director of photography is recorded as Carlos Congote[10].
- The original language of The Strategy of the Snail was Spanish[11].
- The Strategy of the Snail's color is recorded as color[12].
- The Strategy of the Snail's country of origin is recorded as Colombia[13].
- The Strategy of the Snail was published on January 1, 1993[14].
- The Strategy of the Snail's narrative location is recorded as Colombia[15].
- The Strategy of the Snail's narrative location is recorded as Andean natural region of Colombia[16].
- The Strategy of the Snail's nominated for is recorded as International Submission to the Academy Awards[17].
- The Strategy of the Snail's title is recorded as {'lang': 'es', 'text': 'La estrategia del caracol'}[18].
- The Strategy of the Snail's duration is recorded as {'unit': 'Q7727', 'amount': '+116'}[19].
Body
Authorship and Creation
The Strategy of the Snail was directed by Sergio Cabrera[4]. Cast members include Carlos Vives[7], Frank Ramírez[8], and Vicky Hernández[9].
Publication
The Strategy of the Snail was released on January 1, 1993[14]. The original language of it was Spanish[11]. Genres include comedy drama[5] and comedy film[6].
Why It Matters
The Strategy of the Snail has Wikipedia articles in 8 language editions, a strong signal of global cultural recognition.[2] It is known by 4 alternative names across languages and contexts.[20]