The Fury of the Wolfman
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The Fury of the Wolfman
Summary
The Fury of the Wolfman is a film[1]. It ranks in the top 4% of film entities by monthly Wikipedia readership (57 views/month).[2]
Key Facts
- The Fury of the Wolfman's instance of is recorded as film[3].
- The Fury of the Wolfman was directed by José María Zabalza[4].
- Paul Naschy wrote the screenplay for The Fury of the Wolfman[5].
- The Fury of the Wolfman's composer is recorded as Ángel Arteaga[6].
- The Fury of the Wolfman's genre is horror film[7].
- The Fury of the Wolfman's genre is monster film[8].
- A cast member of The Fury of the Wolfman was Paul Naschy[9].
- A cast member of The Fury of the Wolfman was Perla Cristal[10].
- A cast member of The Fury of the Wolfman was Ramón Lillo[11].
- A cast member of The Fury of the Wolfman was Mark Stevens[12].
- A cast member of The Fury of the Wolfman was Diana Montes[13].
- A cast member of The Fury of the Wolfman was José Marco[14].
- The original language of The Fury of the Wolfman was Spanish[15].
- The Fury of the Wolfman's country of origin is recorded as Spain[16].
- The Fury of the Wolfman was released on January 1, 1972[17].
- The Fury of the Wolfman's distributed by is recorded as Embassy Pictures[18].
- The Fury of the Wolfman's title is recorded as {'lang': 'es', 'text': 'La furia del Hombre Lobo'}[19].
- The Fury of the Wolfman's duration is recorded as {'unit': 'Q7727', 'amount': '+90'}[20].
Body
Authorship and Creation
The Fury of the Wolfman was directed by José María Zabalza[4]. Paul Naschy wrote the screenplay for it[5]. Cast members include Paul Naschy[9], Perla Cristal[10], Ramón Lillo[11], Mark Stevens[12], Diana Montes[13], and José Marco[14].
Publication
The Fury of the Wolfman was released on January 1, 1972[17]. The original language of it was Spanish[15]. Genres include horror film[7] and monster film[8].
Why It Matters
The Fury of the Wolfman ranks in the top 4% of film entities by monthly Wikipedia readership (57 views/month).[2] It is known by 3 alternative names across languages and contexts.[21]