Song of Everlasting Regret
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Song of Everlasting Regret
Summary
Song of Everlasting Regret is a kanshi[1]. It draws 51 Wikipedia views per month (kanshi category, ranking #1 of 2).[2]
Key Facts
- Song of Everlasting Regret authored Bai Juyi[3].
- Song of Everlasting Regret's instance of is recorded as kanshi[4].
- Song of Everlasting Regret's instance of is recorded as literary work[5].
- Song of Everlasting Regret's genre is recorded as Tang poetry[6].
- Song of Everlasting Regret's depicts is recorded as Yang Guifei[7].
- Song of Everlasting Regret's depicts is recorded as Emperor Xuanzong of Tang[8].
- Song of Everlasting Regret's language of work or name is recorded as Classical Chinese[9].
- Song of Everlasting Regret's country of origin is recorded as Tang dynasty[10].
- +0809-00-00T00:00:00Z marks the founding of Song of Everlasting Regret[11].
- Song of Everlasting Regret's Freebase ID is recorded as /m/0pcvlc4[12].
- Song of Everlasting Regret's depicted by is recorded as Nagauta song[13].
- Song of Everlasting Regret's Encyclopædia Britannica Online ID is recorded as topic/Chang-hen-ge[14].
- Song of Everlasting Regret's published in is recorded as Three Hundred Tang Poems[15].
- Song of Everlasting Regret's title is recorded as {'lang': 'zh', 'text': '長恨歌'}[16].
- Song of Everlasting Regret's copyright status is recorded as public domain[17].
- Song of Everlasting Regret's form of creative work is recorded as poem[18].
- Song of Everlasting Regret's form of creative work is recorded as seven-character poetry[19].
- Song of Everlasting Regret's Encyclopedia of China is recorded as 591189[20].
- Song of Everlasting Regret's Encyclopedia of China is recorded as 526450[21].
Body
Works and Contributions
Song of Everlasting Regret authored Bai Juyi[3].
Why It Matters
Song of Everlasting Regret draws 51 Wikipedia views per month (kanshi category, ranking #1 of 2).[2] It has Wikipedia articles in 7 language editions, a strong signal of global cultural recognition.[22] It is known by 3 alternative names across languages and contexts.[23]