Prince Igor
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Prince Igor
Summary
Prince Igor is a dramatico-musical work[1]. It ranks in the top 9% of dramatico_musical_work entities by monthly Wikipedia readership (208 views/month).[2]
Key Facts
- Prince Igor's instance of is recorded as dramatico-musical work[3].
- Prince Igor's composer is recorded as Alexander Borodin[4].
- Prince Igor's librettist is recorded as Alexander Borodin[5].
- Prince Igor's librettist is recorded as Vladimir Stasov[6].
- Prince Igor's based on is recorded as The Tale of Igor's Campaign[7].
- Prince Igor's Commons category is recorded as Prince Igor[8].
- Prince Igor's language of work or name is recorded as Russian[9].
- Prince Igor comprises Polovtsian Dances[10].
- Prince Igor was released on 1850[11].
- Prince Igor's characters is recorded as Ovlur[12].
- Prince Igor's characters is recorded as Skula[13].
- Prince Igor's characters is recorded as Yeroshka[14].
- Prince Igor's characters is recorded as Konchakovna[15].
- Prince Igor's characters is recorded as Yaroslavna[16].
- Prince Igor's characters is recorded as Vladimir Igorevich[17].
- Prince Igor's characters is recorded as Gzak[18].
- Prince Igor's characters is recorded as Konchak[19].
- Prince Igor's characters is recorded as Galitsky (Vladimir Yaroslavich)[20].
- Prince Igor's characters is recorded as Igor Svyatoslavich[21].
- Prince Igor's characters is recorded as A Polovtsian maiden[22].
- Prince Igor's characters is recorded as Yaroslavna's nurse[23].
- Prince Igor's characters is recorded as Q63677118[24].
- Prince Igor's topic's main category is recorded as Category:Prince Igor[25].
- Prince Igor's date of first performance is recorded as October 23, 1890[26].
- Prince Igor's date of first performance is recorded as 1890[27].
Why It Matters
Prince Igor ranks in the top 9% of dramatico_musical_work entities by monthly Wikipedia readership (208 views/month).[2] It has Wikipedia articles in 20 language editions, a strong signal of global cultural recognition.[28] It is known by 12 alternative names across languages and contexts.[29]