Le Suicidé
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Le Suicidé
Summary
Le Suicidé is a painting[1]. It ranks in the top 2% of painting entities by monthly Wikipedia readership (1,014 views/month).[2]
Key Facts
- Le Suicidé is the creator of Édouard Manet[3].
- Le Suicidé's instance of is recorded as painting[4].
- Le Suicidé is owned by Ferenc Hatvany[5].
- Le Suicidé is owned by Fritz Nathan[6].
- Le Suicidé is owned by Foundation E.G. Bührle Collection[7].
- Le Suicidé's genre is genre art[8].
- Le Suicidé's depicts is recorded as pistol[9].
- Le Suicidé's depicts is recorded as suicide[10].
- Le Suicidé's depicts is recorded as bed[11].
- Le Suicidé's depicts is recorded as pillow[12].
- Le Suicidé's depicts is recorded as man[13].
- Le Suicidé is made of oil paint[14].
- Le Suicidé is made of canvas[15].
- Le Suicidé's collection is recorded as Foundation E.G. Bührle Collection[16].
- Le Suicidé's collection is recorded as Kunsthaus Zürich[17].
- Le Suicidé's inventory number is recorded as 63[18].
- Le Suicidé's inventory number is recorded as BU 0063[19].
- Le Suicidé took place at Foundation E.G. Bührle Collection[20].
- Le Suicidé took place at Kunsthaus Zürich[21].
- Le Suicidé's Commons category is recorded as Le Suicidé by Édouard Manet[22].
- Le Suicidé's catalog code is recorded as 258[23].
- Le Suicidé's catalog code is recorded as 17[24].
- Le Suicidé's catalog code is recorded as 348[25].
- 1879 marks the founding of Le Suicidé[26].
- January 1, 1877 marks the founding of Le Suicidé[27].
Body
Authorship and Creation
Le Suicidé is the creator of Édouard Manet[3].
Publication
Le Suicidé's genre is genre art[8].
Material and Period
Recorded made from material include oil paint[14] and canvas[15]. Recorded location include Foundation E.G. Bührle Collection[20] and Kunsthaus Zürich[21].
Why It Matters
Le Suicidé ranks in the top 2% of painting entities by monthly Wikipedia readership (1,014 views/month).[2] It has Wikipedia articles in 13 language editions, a strong signal of global cultural recognition.[28] It is known by 3 alternative names across languages and contexts.[29]