La velata

Summary

La velata is a painting^[1]. It ranks in the top 5% of painting entities by monthly Wikipedia readership (80 views/month).^[2]

Key Facts

• La velata is the creator of Raphael^[3].
• La velata is in the country of Italy^[4].
• La velata's image is recorded as La velada, por Rafael.jpg^[5].
• La velata's instance of is recorded as painting^[6].
• La velata's movement is recorded as High Renaissance^[7].
• La velata's genre is recorded as portrait^[8].
• La velata's depicts is recorded as young adult woman^[9].
• La velata's depicts is recorded as veil^[10].
• La velata's depicts is recorded as Margarita Luti^[11].
• La velata's made from material is recorded as oil paint^[12].
• La velata's made from material is recorded as canvas^[13].
• La velata's collection is recorded as Galleria Palatina^[14].
• La velata's inventory number is recorded as 245^[15].
• La velata's location is recorded as Hall of Jupiter^[16].
• La velata's Commons category is recorded as La Velata by Raffaello Sanzio^[17].
• La velata's catalog code is recorded as 29^[18].
• +1513-00-00T00:00:00Z marks the founding of La velata^[19].
• La velata's Freebase ID is recorded as /m/025y594^[20].
• La velata's main subject is recorded as young adult woman^[21].
• La velata's title is recorded as {'lang': 'it', 'text': 'La Donna Velata'}^[22].
• La velata's different from is recorded as La Velata^[23].
• La velata's different from is recorded as La Velata^[24].
• La velata's height is recorded as {'unit': 'Q174728', 'amount': '+82'}^[25].
• La velata's width is recorded as {'unit': 'Q174728', 'amount': '+61'}^[26].
• La velata's Florentine musea catalogue ID is recorded as 00160382^[27].

Body

Works and Contributions

La velata is the creator of Raphael^[3].

Why It Matters

La velata ranks in the top 5% of painting entities by monthly Wikipedia readership (80 views/month).^[2] It has Wikipedia articles in 16 language editions, a strong signal of global cultural recognition.^[28] It is known by 4 alternative names across languages and contexts.^[29]