La fornarina

Summary

La fornarina is a painting^[1]. It ranks in the top 3% of painting entities by monthly Wikipedia readership (278 views/month).^[2]

Key Facts

• La fornarina is the creator of Raphael^[3].
• La fornarina's image is recorded as Raffaello Sanzio - La Fornarina (ca. 1519-1520).jpg^[4].
• La fornarina's instance of is recorded as painting^[5].
• La fornarina's movement is recorded as Italian Renaissance painting^[6].
• La fornarina's genre is recorded as portrait^[7].
• La fornarina's genre is recorded as nude^[8].
• La fornarina's depicts is recorded as Margarita Luti^[9].
• La fornarina's depicts is recorded as toplessness^[10].
• La fornarina's depicts is recorded as navel^[11].
• La fornarina's depicts is recorded as female breast^[12].
• La fornarina's depicts is recorded as areola^[13].
• La fornarina's depicts is recorded as nipple^[14].
• La fornarina's depicts is recorded as eyebrow^[15].
• La fornarina's depicts is recorded as waist-length hair^[16].
• La fornarina's depicts is recorded as broad-leaved tree^[17].
• La fornarina's depicts is recorded as part^[18].
• La fornarina's made from material is recorded as oil paint^[19].
• La fornarina's made from material is recorded as panel^[20].
• La fornarina's collection is recorded as Galleria Nazionale d'Arte Antica^[21].
• La fornarina's VIAF cluster ID is recorded as 182379281^[22].
• La fornarina's inventory number is recorded as 2333^[23].
• La fornarina's GND ID is recorded as 4630533-6^[24].
• La fornarina's Bibliothèque nationale de France ID is recorded as 145266332^[25].
• La fornarina's IdRef ID is recorded as 061731943^[26].
• La fornarina's location is recorded as Palazzo Barberini^[27].

Body

Works and Contributions

La fornarina is the creator of Raphael^[3].

Why It Matters

La fornarina ranks in the top 3% of painting entities by monthly Wikipedia readership (278 views/month).^[2] It has Wikipedia articles in 16 language editions, a strong signal of global cultural recognition.^[28] It is known by 8 alternative names across languages and contexts.^[29]