Bend Sinister
0 sources
Bend Sinister
Summary
Bend Sinister is a literary work[1]. It ranks in the top 4% of literary_work entities by monthly Wikipedia readership (149 views/month).[2]
Key Facts
- Bend Sinister authored Vladimir Nabokov[3].
- Bend Sinister's instance of is recorded as literary work[4].
- Bend Sinister's publisher is recorded as Henry Holt and Company[5].
- Bend Sinister's genre is recorded as dystopia[6].
- bend sinister is named after Bend Sinister[7].
- Bend Sinister's VIAF cluster ID is recorded as 307978992[8].
- Bend Sinister's GND ID is recorded as 1088025161[9].
- Bend Sinister's OCLC number is recorded as 2309827[10].
- Bend Sinister's place of publication is recorded as New York City[11].
- Bend Sinister's language of work or name is recorded as English[12].
- Bend Sinister's country of origin is recorded as United States[13].
- +1946-00-00T00:00:00Z marks the founding of Bend Sinister[14].
- Bend Sinister's publication date is recorded as +1947-00-00T00:00:00Z[15].
- Bend Sinister's Freebase ID is recorded as /m/05njwf[16].
- Bend Sinister's translator is recorded as Sergey Ilyin[17].
- Bend Sinister's ISFDB title ID is recorded as 1937028[18].
- Bend Sinister's Encyclopædia Britannica Online ID is recorded as topic/Bend-Sinister[19].
- Bend Sinister's published in is recorded as Ural (magazine)[20].
- Bend Sinister's title is recorded as {'lang': 'en', 'text': 'Bend Sinister'}[21].
- Bend Sinister's OCLC work ID is recorded as 1322777[22].
- Bend Sinister's FantLab work ID is recorded as 89806[23].
- Bend Sinister's form of creative work is recorded as novel[24].
- Bend Sinister's Penguin Random House work ID is recorded as 119438[25].
Body
Works and Contributions
Bend Sinister authored Vladimir Nabokov[3].
Why It Matters
Bend Sinister ranks in the top 4% of literary_work entities by monthly Wikipedia readership (149 views/month).[2] It has Wikipedia articles in 9 language editions, a strong signal of global cultural recognition.[26] It is known by 5 alternative names across languages and contexts.[27]