491
0 sources
491
Summary
491 is a film[1]. 491 ranks in the top 4% of film entities by monthly Wikipedia readership (255 views/month).[2]
Key Facts
- 491's instance of is recorded as film[3].
- 491 was directed by Vilgot Sjöman[4].
- Lars Görling wrote the screenplay for 491[5].
- Vilgot Sjöman wrote the screenplay for 491[6].
- 491's composer is recorded as Georg Riedel[7].
- 491's genre is drama film[8].
- 491's genre is LGBTQ-related film[9].
- A cast member of 491 was Lena Nyman[10].
- A cast member of 491 was Åke Grönberg[11].
- A cast member of 491 was Lars Lind[12].
- A cast member of 491 was Erik Hell[13].
- A cast member of 491 was Willem Fricke[14].
- A cast member of 491 was Mona Andersson[15].
- 491's director of photography is recorded as Gunnar Fischer[16].
- The original language of 491 was Swedish[17].
- 491's color is recorded as black-and-white[18].
- 491's country of origin is recorded as Sweden[19].
- 491 was released on March 16, 1964[20].
- 491's distributed by is recorded as SF Studios[21].
- 491's narrative location is recorded as Stockholm[22].
- 491's title is recorded as 491[23].
- 491's duration is recorded as {'amount': '+101'}[24].
- 491's CNC film rating is recorded as no minors under sixteen[25].
- 491's Medierådet rating is recorded as Prohibited for children under 16[26].
- 491's P14821 is recorded as 57810[27].
Body
Authorship and Creation
491 was directed by Vilgot Sjöman[4]. Screenwriters include Lars Görling[5] and Vilgot Sjöman[6]. Cast members include Lena Nyman[10], Åke Grönberg[11], Lars Lind[12], Erik Hell[13], Willem Fricke[14], and Mona Andersson[15].
Publication
491 was published on March 16, 1964[20]. The original language of 491 was Swedish[17]. Genres include drama film[8] and LGBTQ-related film[9].
Why It Matters
491 ranks in the top 4% of film entities by monthly Wikipedia readership (255 views/month).[2] 491 has Wikipedia articles in 6 language editions, a strong signal of global cultural recognition.[28] 491 is known by 3 alternative names across languages and contexts.[29]