X-Men #82
0 sources
X-Men #82
Summary
X-Men #82 is a comic book[1]. It is known by 6 alternative names across languages and contexts.[2]
Key Facts
- X-Men #82 authored Roy Thomas[3].
- X-Men #82's instance of is recorded as comic book[4].
- X-Men #82's instance of is recorded as reprint[5].
- X-Men #82 was edited by Stan Lee[6].
- X-Men #82 was published by Marvel Comics[7].
- X-Men #82 followed X-Men #81[8].
- X-Men #82 was followed by X-Men #83[9].
- X-Men #82's part of the series is recorded as Uncanny X-Men[10].
- X-Men #82's language of work or name is recorded as English[11].
- X-Men #82's country of origin is recorded as United States[12].
- X-Men #82 was published on March 13, 1973[13].
- X-Men #82 was released on June 1973[14].
- X-Men #82's characters is recorded as Beast[15].
- X-Men #82's characters is recorded as Warren Worthington III[16].
- X-Men #82's characters is recorded as Jean Grey[17].
- X-Men #82's characters is recorded as Iceman[18].
- X-Men #82's characters is recorded as Cyclops[19].
- X-Men #82's characters is recorded as Ted Roberts[20].
- X-Men #82's characters is recorded as Cobalt Man[21].
- X-Men #82's characters is recorded as Tyrannus[22].
- X-Men #82's characters is recorded as Mole Man[23].
- X-Men #82's cover art by is recorded as Dan Adkins[24].
- X-Men #82's cover art by is recorded as Q7408090[25].
- X-Men #82's letterer is recorded as Jerry Feldman[26].
- X-Men #82's inker is recorded as Dan Adkins[27].
Body
Authorship and Creation
X-Men #82 authored Roy Thomas[3]. It was edited by Stan Lee[6]. It was published by Marvel Comics[7].
Publication
Publication dates include March 13, 1973[13] and June 1973[14]. X-Men #82's language of work or name is recorded as English[11]. Its part of the series is recorded as Uncanny X-Men[10].
Subject and Themes
X-Men #82's part of the series is recorded as Uncanny X-Men[10].
Adaptations and Inspiration
X-Men #82 followed X-Men #81[8]. It was followed by X-Men #83[9].
Why It Matters
X-Men #82 is known by 6 alternative names across languages and contexts.[2]