Veni sponsa Christi
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Summary
Veni sponsa Christi is a musical work/composition[1].
Key Facts
- Veni sponsa Christi's instance of is recorded as musical work/composition[2].
- Veni sponsa Christi's composer is recorded as Emerico Lobo de Mesquita[3].
- Veni sponsa Christi is associated with the Brazilian colonial music movement[4].
- Veni sponsa Christi's genre is classical music[5].
- Veni sponsa Christi's collection is recorded as Sheet music of José Joaquim Emerico Lobo de Mesquita[6].
- Veni sponsa Christi's Commons category is recorded as Sheet music of José Joaquim Emerico Lobo de Mesquita[7].
- Veni sponsa Christi's instrumentation is recorded as choir[8].
- Veni sponsa Christi's instrumentation is recorded as horn[9].
- Veni sponsa Christi's instrumentation is recorded as violin[10].
- Veni sponsa Christi's instrumentation is recorded as bass[11].
- Veni sponsa Christi's described by source is recorded as Musica Brasilis[12].
- Veni sponsa Christi's title is recorded as Veni sponsa Christi[13].
- Veni sponsa Christi's subtitle is recorded as (Antífona de Santa Bárbara)[14].
- Veni sponsa Christi's on focus list of Wikimedia project is recorded as Musica Brasilis GLAM[15].
- Veni sponsa Christi's form of creative work is recorded as horn concerto[16].
- Veni sponsa Christi's form of creative work is recorded as violin concerto[17].
- Veni sponsa Christi's form of creative work is recorded as concerto for bass[18].
Body
Publication
Veni sponsa Christi's genre is classical music[5].
Subject and Themes
Veni sponsa Christi is associated with the Brazilian colonial music movement[4].