Understanding the Gulf War : hyperactivity, postmodernity, spectacle
1996 master's thesis by Chamsy Ojeili at Massey University
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Understanding the Gulf War : hyperactivity, postmodernity, spectacle
Summary
Understanding the Gulf War : hyperactivity, postmodernity, spectacle is a master's thesis[1].
Key Facts
- Understanding the Gulf War : hyperactivity, postmodernity, spectacle authored hyperactivity, postmodernity, spectacle — author (P50): Chamsy Ojeili[2].
- Understanding the Gulf War : hyperactivity, postmodernity, spectacle's instance of is recorded as hyperactivity, postmodernity, spectacle — instance of (P31): master's thesis[3].
- Understanding the Gulf War : hyperactivity, postmodernity, spectacle's publisher is recorded as hyperactivity, postmodernity, spectacle — publisher (P123): Massey Research Online[4].
- Understanding the Gulf War : hyperactivity, postmodernity, spectacle's language of work or name is recorded as hyperactivity, postmodernity, spectacle — language of work or name (P407): English[5].
- Understanding the Gulf War : hyperactivity, postmodernity, spectacle's country of origin is recorded as hyperactivity, postmodernity, spectacle — country of origin (P495): New Zealand[6].
- Understanding the Gulf War : hyperactivity, postmodernity, spectacle's publication date is recorded as +1996-00-00T00:00:00Z[7].
- Understanding the Gulf War : hyperactivity, postmodernity, spectacle's main subject is recorded as hyperactivity, postmodernity, spectacle — main subject (P921): press coverage[8].
- Understanding the Gulf War : hyperactivity, postmodernity, spectacle's main subject is recorded as hyperactivity, postmodernity, spectacle — main subject (P921): propaganda[9].
- Understanding the Gulf War : hyperactivity, postmodernity, spectacle's Handle ID is recorded as 10179/14023[10].
- Understanding the Gulf War : hyperactivity, postmodernity, spectacle's title is recorded as Understanding the Gulf War : hyperactivity, postmodernity, spectacle[11].
- Understanding the Gulf War : hyperactivity, postmodernity, spectacle's copyright holder is recorded as hyperactivity, postmodernity, spectacle — copyright holder (P3931): Chamsy Ojeili[12].
- Understanding the Gulf War : hyperactivity, postmodernity, spectacle's thesis submitted to is recorded as hyperactivity, postmodernity, spectacle — thesis submitted to (P4101): Massey University[13].
- Understanding the Gulf War : hyperactivity, postmodernity, spectacle's on focus list of Wikimedia project is recorded as hyperactivity, postmodernity, spectacle — on focus list of Wikimedia project (P5008): NZThesisProject[14].
- Understanding the Gulf War : hyperactivity, postmodernity, spectacle's copyright status is recorded as hyperactivity, postmodernity, spectacle — copyright status (P6216): copyrighted[15].
- Understanding the Gulf War : hyperactivity, postmodernity, spectacle's thesis committee member is recorded as hyperactivity, postmodernity, spectacle — thesis committee member (P9161): Gregor McLennan[16].
Body
Designation and Status
Understanding the Gulf War : hyperactivity, postmodernity, spectacle's instance of is recorded as hyperactivity, postmodernity, spectacle — instance of (P31): master's thesis[3].