Translating "transition": a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden
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Translating "transition": a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden
Summary
Translating "transition": a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden is a doctoral thesis[1].
Key Facts
- Translating "transition": a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden authored a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden — author (P50): Ryan Mullaney[2].
- Translating "transition": a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden authored a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden — author (P50): Ryan Mullaney[3].
- Translating "transition": a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden's instance of is recorded as a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden — instance of (P31): doctoral thesis[4].
- Translating "transition": a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden's instance of is recorded as a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden — instance of (P31): written work[5].
- Translating "transition": a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden's OCLC number is recorded as 1085911078[6].
- Translating "transition": a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden's language of work or name is recorded as a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden — language of work or name (P407): English[7].
- +2018-01-01T00:00:00Z marks the founding of Translating "transition": a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden[8].
- Translating "transition": a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden's main subject is recorded as a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden — main subject (P921): religious music[9].
- Translating "transition": a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden's main subject is recorded as a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden — main subject (P921): musical performance[10].
- Translating "transition": a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden's main subject is recorded as a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden — main subject (P921): 17th century[11].
- Translating "transition": a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden's main subject is recorded as a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden — main subject (P921): 18th century[12].
- Translating "transition": a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden's main subject is recorded as a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden — main subject (P921): Sebastian Knüpfer[13].
- Translating "transition": a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden's main subject is recorded as a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden — main subject (P921): Johann Kuhnau[14].
- Translating "transition": a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden's main subject is recorded as a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden — main subject (P921): performance practice of Bach's music[15].
- Translating "transition": a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden's main subject is recorded as a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden — main subject (P921): Johann Sebastian Bach[16].
- Translating "transition": a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden's main subject is recorded as a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden — main subject (P921): Christ lag in Todes Banden, BWV 4[17].
- Translating "transition": a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden's main subject is recorded as a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden — main subject (P921): music of Germany[18].
- Translating "transition": a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden's work available at URL is recorded as http://hdl.handle.net/1773/43110[19].
- Translating "transition": a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden's number of pages is recorded as {'unit': 'http://www.wikidata.org/entity/Q56761382', 'amount': '+10'}[20].
- Translating "transition": a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden's number of pages is recorded as {'unit': 'http://www.wikidata.org/entity/Q1069725', 'amount': '+214'}[21].
- Translating "transition": a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden's Handle ID is recorded as 1773/43110[22].
- Translating "transition": a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden's title is recorded as Translating "transition"[23].
- Translating "transition": a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden's subtitle is recorded as A Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden[24].
- Translating "transition": a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden's thesis submitted to is recorded as a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden — thesis submitted to (P4101): University of Washington[25].
- Translating "transition": a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden's on focus list of Wikimedia project is recorded as a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden — on focus list of Wikimedia project (P5008): WikiProject PCC Wikidata Pilot/University of Washington[26].
Body
Designation and Status
Recorded instance of include a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden — instance of (P31): doctoral thesis[4] and a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden — instance of (P31): written work[5].
History and Context
+2018-01-01T00:00:00Z marks the founding of Translating "transition": a Case Study in Interpreting Seventeenth Century German Church Music Through a Survey of Three Settings of Christ Lag in Todesbanden[8].