Tourist Attraction
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Summary
Tourist Attraction is a television series episode[1]. It ranks in the top 6% of television_series_episode entities by monthly Wikipedia readership (133 views/month).[2]
Key Facts
- Tourist Attraction's instance of is recorded as television series episode[3].
- Tourist Attraction was directed by László Benedek[4].
- Dean Riesner wrote the screenplay for Tourist Attraction[5].
- Tourist Attraction's composer is recorded as Dominic Frontiere[6].
- Tourist Attraction followed The Borderland[7].
- Tourist Attraction was followed by The Zanti Misfits[8].
- A cast member of Tourist Attraction was Janet Blair[9].
- Tourist Attraction's part of the series is recorded as The Outer Limits[10].
- Tourist Attraction's director of photography is recorded as John M. Nickolaus, Jr.[11].
- The original language of Tourist Attraction was English[12].
- Tourist Attraction's color is recorded as black-and-white[13].
- Tourist Attraction was published on January 1, 1963[14].
- Tourist Attraction was released on December 23, 1963[15].
- Tourist Attraction's title is recorded as Tourist Attraction[16].
- Tourist Attraction's production code is recorded as 4[17].
- Tourist Attraction's season is recorded as The Outer Limits, season 1[18].
Body
Authorship and Creation
Tourist Attraction was directed by László Benedek[4]. Dean Riesner wrote the screenplay for it[5]. A cast member of it was Janet Blair[9].
Publication
Publication dates include January 1, 1963[14] and December 23, 1963[15]. The original language of Tourist Attraction was English[12]. Its part of the series is recorded as The Outer Limits[10].
Subject and Themes
Tourist Attraction's part of the series is recorded as The Outer Limits[10].
Adaptations and Inspiration
Tourist Attraction followed The Borderland[7]. It was followed by The Zanti Misfits[8].
Why It Matters
Tourist Attraction ranks in the top 6% of television_series_episode entities by monthly Wikipedia readership (133 views/month).[2] It is known by 4 alternative names across languages and contexts.[19]