To Live
1937 film by Guido Brignone
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To Live
Summary
To Live is a film[1]. It ranks in the top 4% of film entities by monthly Wikipedia readership (10 views/month).[2]
Key Facts
- To Live's instance of is recorded as film[3].
- To Live was directed by Guido Brignone[4].
- Guido Brignone wrote the screenplay for To Live[5].
- Amleto Palermi wrote the screenplay for To Live[6].
- To Live's composer is recorded as Tito Schipa[7].
- To Live's genre is drama film[8].
- A cast member of To Live was Tito Schipa[9].
- A cast member of To Live was Caterina Boratto[10].
- A cast member of To Live was Nino Besozzi[11].
- A cast member of To Live was Paola Borboni[12].
- A cast member of To Live was Mercedes Brignone[13].
- A cast member of To Live was Doris Duranti[14].
- A cast member of To Live was Amilcare Pettinelli[15].
- A cast member of To Live was Armando Migliari[16].
- A cast member of To Live was Luigi Pavese[17].
- A cast member of To Live was Olinto Cristina[18].
- A cast member of To Live was Nietta Zocchi[19].
- A cast member of To Live was Olga Vittoria Gentilli[20].
- A cast member of To Live was Guglielmo Barnabò[21].
- A cast member of To Live was Edda Soligo[22].
- A cast member of To Live was Giuseppe Pierozzi[23].
- A cast member of To Live was Oreste Fares[24].
- A cast member of To Live was Renato Malavasi[25].
- A cast member of To Live was Lola Braccini[26].
- To Live was produced by Livio Pavanelli[27].
Body
Authorship and Creation
To Live was produced by Livio Pavanelli[27]. It was directed by Guido Brignone[4]. Screenwriters include Guido Brignone[5] and Amleto Palermi[6]. Cast members include Tito Schipa[9], Caterina Boratto[10], Nino Besozzi[11], Paola Borboni[12], Mercedes Brignone[13], and Doris Duranti[14].
Publication
To Live was published on 1936[28]. The original language of it was Italian[29]. Its genre is drama film[8].
Why It Matters
To Live ranks in the top 4% of film entities by monthly Wikipedia readership (10 views/month).[2] It is known by 6 alternative names across languages and contexts.[30]