The Skulls II
2002 film by Joe Chappelle
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The Skulls II
Summary
The Skulls II is a film[1]. It has Wikipedia articles in 5 language editions, a strong signal of global cultural recognition.[2]
Key Facts
- The Skulls II's instance of is recorded as film[3].
- The Skulls II was directed by Joe Chappelle[4].
- The Skulls II's composer is recorded as Christophe Beck[5].
- The Skulls II's genre is thriller film[6].
- The Skulls II followed The Skulls[7].
- The Skulls II was followed by The Skulls 3[8].
- A cast member of The Skulls II was Robin Dunne[9].
- The Skulls II was produced by Neal H. Moritz[10].
- The Skulls II's production company is recorded as Universal Pictures[11].
- The original language of The Skulls II was English[12].
- The Skulls II was distributed by video on demand[13].
- The Skulls II was distributed by direct-to-video[14].
- The Skulls II's color is recorded as color[15].
- The Skulls II's country of origin is recorded as United States[16].
- The Skulls II was published on January 1, 2002[17].
- The Skulls II's distributed by is recorded as Universal Pictures[18].
- The Skulls II's distributed by is recorded as Netflix[19].
- The Skulls II's title is recorded as {'lang': 'en', 'text': 'The Skulls II'}[20].
- The Skulls II's FSK film rating is recorded as FSK 12[21].
- The Skulls II's duration is recorded as {'unit': 'Q7727', 'amount': '+96'}[22].
Body
Authorship and Creation
The Skulls II was produced by Neal H. Moritz[10]. It was directed by Joe Chappelle[4]. A cast member of it was Robin Dunne[9].
Publication
The Skulls II was released on January 1, 2002[17]. The original language of it was English[12]. Its genre is thriller film[6]. Recorded distribution format include video on demand[13] and direct-to-video[14].
Adaptations and Inspiration
The Skulls II followed The Skulls[7]. It was followed by The Skulls 3[8].
Why It Matters
The Skulls II has Wikipedia articles in 5 language editions, a strong signal of global cultural recognition.[2] It is known by 4 alternative names across languages and contexts.[23]