The Long Arm

Summary

The Long Arm is a film^[1]. It ranks in the top 4% of film entities by monthly Wikipedia readership (199 views/month).^[2]

Key Facts

• The Long Arm's instance of is recorded as film^[3].
• The Long Arm was directed by Charles Frend^[4].
• Robert Barr wrote the screenplay for The Long Arm^[5].
• The Long Arm's composer is recorded as Gerard Schurmann^[6].
• The Long Arm's genre is crime film^[7].
• A cast member of The Long Arm was Jack Hawkins^[8].
• The Long Arm was produced by Michael Balcon^[9].
• The Long Arm's production company is recorded as Ealing Studios^[10].
• The Long Arm's director of photography is recorded as Gordon Dines^[11].
• The original language of The Long Arm was English^[12].
• The Long Arm was distributed by video on demand^[13].
• The Long Arm's color is recorded as black-and-white^[14].
• The Long Arm's country of origin is recorded as United Kingdom^[15].
• The Long Arm was published on January 1, 1956^[16].
• The Long Arm was released on June 1, 1956^[17].
• The Long Arm was published on July 1, 1956^[18].
• The Long Arm's distributed by is recorded as The Rank Organisation^[19].
• The Long Arm's narrative location is recorded as London^[20].
• The Long Arm's title is recorded as The Long Arm^[21].
• The Long Arm's duration is recorded as {'amount': '+96'}^[22].
• The Long Arm's P14449 is recorded as 239504^[23].
• The Long Arm's P14821 is recorded as 49845^[24].

Body

Authorship and Creation

The Long Arm was produced by Michael Balcon^[9]. It was directed by Charles Frend^[4]. Robert Barr wrote the screenplay for it^[5]. A cast member of it was Jack Hawkins^[8].

Publication

Publication dates include January 1, 1956^[16], June 1, 1956^[17], and July 1, 1956^[18]. The original language of The Long Arm was English^[12]. Its genre is crime film^[7]. It was distributed by video on demand^[13].

Why It Matters

The Long Arm ranks in the top 4% of film entities by monthly Wikipedia readership (199 views/month).^[2] It is known by 9 alternative names across languages and contexts.^[25]