The Eye 2
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The Eye 2
Summary
The Eye 2 is a film[1]. It ranks in the top 4% of film entities by monthly Wikipedia readership (77 views/month).[2]
Key Facts
- The Eye 2's instance of is recorded as film[3].
- The Eye 2 was directed by Danny Pang Phat[4].
- The Eye 2 was directed by Oxide Pang Chun[5].
- The Eye 2's genre is horror film[6].
- The Eye 2 followed The Eye[7].
- The Eye 2 was followed by The Eye 10[8].
- A cast member of The Eye 2 was Eugenia Yuan[9].
- A cast member of The Eye 2 was Shu Qi[10].
- A cast member of The Eye 2 was Jesdaporn Pholdee[11].
- The Eye 2 was produced by Peter Chan[12].
- The original language of The Eye 2 was Cantonese[13].
- The Eye 2 was distributed by video on demand[14].
- The Eye 2's color is recorded as color[15].
- The Eye 2's country of origin is recorded as Hong Kong[16].
- The Eye 2 was published on January 1, 2004[17].
- The Eye 2's distributed by is recorded as MediaCorp Raintree Pictures[18].
- The Eye 2's distributed by is recorded as Netflix[19].
- The Eye 2's filming location is recorded as Hong Kong[20].
- The Eye 2's filming location is recorded as Thailand[21].
- The Eye 2's duration is recorded as {'amount': '+90'}[22].
- The Eye 2's Filmiroda rating is recorded as Category IV[23].
- The Eye 2's P14821 is recorded as 405061[24].
Body
Authorship and Creation
The Eye 2 was produced by Peter Chan[12]. Directors include Danny Pang Phat[4] and Oxide Pang Chun[5]. Cast members include Eugenia Yuan[9], Shu Qi[10], and Jesdaporn Pholdee[11].
Publication
The Eye 2 was released on January 1, 2004[17]. The original language of it was Cantonese[13]. Its genre is horror film[6]. It was distributed by video on demand[14].
Adaptations and Inspiration
The Eye 2 followed The Eye[7]. It was followed by The Eye 10[8].
Why It Matters
The Eye 2 ranks in the top 4% of film entities by monthly Wikipedia readership (77 views/month).[2] It has Wikipedia articles in 8 language editions, a strong signal of global cultural recognition.[25] It is known by 7 alternative names across languages and contexts.[26]