The Bounceback
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The Bounceback
Summary
The Bounceback is a film[1]. It ranks in the top 4% of film entities by monthly Wikipedia readership (658 views/month).[2]
Key Facts
- The Bounceback's instance of is recorded as film[3].
- The Bounceback was directed by Bryan Poyser[4].
- Bryan Poyser wrote the screenplay for The Bounceback[5].
- The Bounceback's genre is comedy film[6].
- A cast member of The Bounceback was Sara Paxton[7].
- The Bounceback's director of photography is recorded as PJ Raval[8].
- The original language of The Bounceback was English[9].
- The Bounceback was distributed by video on demand[10].
- The Bounceback's review score is recorded as 69%[11].
- The Bounceback's review score is recorded as 5.8/10[12].
- The Bounceback's color is recorded as color[13].
- The Bounceback's country of origin is recorded as United States[14].
- The Bounceback was released on March 9, 2013[15].
- The Bounceback was published on 2013[16].
- The Bounceback's narrative location is recorded as Texas[17].
- The Bounceback's official website is recorded as http://thebouncebackmovie.com/[18].
- The Bounceback's title is recorded as The Bounceback[19].
- The Bounceback's title is recorded as Love and Air Sex[20].
- The Bounceback's duration is recorded as {'unit': 'http://www.wikidata.org/entity/Q7727', 'amount': '+91'}[21].
- The Bounceback's Kijkwijzer rating is recorded as 12[22].
- The Bounceback's assessment is recorded as Bechdel test[23].
Body
Authorship and Creation
The Bounceback was directed by Bryan Poyser[4]. Bryan Poyser wrote the screenplay for it[5]. A cast member of it was Sara Paxton[7].
Publication
Publication dates include March 9, 2013[15] and 2013[16]. The original language of The Bounceback was English[9]. Its genre is comedy film[6]. It was distributed by video on demand[10].
Reception
Reviews include 69%[11] and 5.8/10[12].
Why It Matters
The Bounceback ranks in the top 4% of film entities by monthly Wikipedia readership (658 views/month).[2] It is known by 5 alternative names across languages and contexts.[24]