The Beguiling of Merlin
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Summary
The Beguiling of Merlin is a painting[1]. It ranks in the top 6% of painting entities by monthly Wikipedia readership (171 views/month).[2]
Key Facts
- The Beguiling of Merlin is the creator of Edward Burne-Jones[3].
- The Beguiling of Merlin's instance of is recorded as painting[4].
- The Beguiling of Merlin's commissioned by is recorded as Frederick Richards Leyland[5].
- The Beguiling of Merlin is associated with the Pre-Raphaelite Brotherhood movement[6].
- The Beguiling of Merlin's genre is Arthurian painting[7].
- The Beguiling of Merlin's depicts is recorded as Merlin[8].
- The Beguiling of Merlin is made of oil paint[9].
- The Beguiling of Merlin is made of canvas[10].
- The Beguiling of Merlin's collection is recorded as Lady Lever Art Gallery[11].
- The Beguiling of Merlin's inventory number is recorded as LL 3121[12].
- The location of The Beguiling of Merlin was Lady Lever Art Gallery[13].
- The Beguiling of Merlin's Commons category is recorded as The Beguiling of Merlin (Burne-Jones)[14].
- January 1, 1872 marks the founding of The Beguiling of Merlin[15].
- The Beguiling of Merlin's height is recorded as {'amount': '+186'}[16].
- The Beguiling of Merlin's width is recorded as {'amount': '+111'}[17].
- The Beguiling of Merlin's copyright status is recorded as public domain[18].
Body
Authorship and Creation
The Beguiling of Merlin is the creator of Edward Burne-Jones[3].
Publication
The Beguiling of Merlin's genre is Arthurian painting[7].
Subject and Themes
The Beguiling of Merlin is associated with the Pre-Raphaelite Brotherhood movement[6].
Material and Period
Recorded made from material include oil paint[9] and canvas[10]. The Beguiling of Merlin took place at Lady Lever Art Gallery[13].
Why It Matters
The Beguiling of Merlin ranks in the top 6% of painting entities by monthly Wikipedia readership (171 views/month).[2] It has Wikipedia articles in 12 language editions, a strong signal of global cultural recognition.[19] It is known by 14 alternative names across languages and contexts.[20]