Terror
1978 British horror film directed by Norman J. Warren
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Terror
Summary
Terror is a film[1]. Terror ranks in the top 4% of film entities by monthly Wikipedia readership (197 views/month).[2]
Key Facts
- Terror's instance of is recorded as film[3].
- Terror was directed by Norman J. Warren[4].
- David McGillivray wrote the screenplay for Terror[5].
- Terror's composer is recorded as Ivor Slaney[6].
- Terror's genre is horror film[7].
- A cast member of Terror was Cinzia Monreale[8].
- A cast member of Terror was Glynis Barber[9].
- A cast member of Terror was Michael Craze[10].
- A cast member of Terror was William Russell[11].
- A cast member of Terror was Peter Mayhew[12].
- A cast member of Terror was Roy Evans[13].
- A cast member of Terror was James Aubrey[14].
- A cast member of Terror was Tricia Walsh-Smith[15].
- The original language of Terror was English[16].
- Terror's color is recorded as color[17].
- Terror's country of origin is recorded as United Kingdom[18].
- Terror was published on January 1, 1978[19].
- Terror's distributed by is recorded as Entertainment Film Distributors[20].
- Terror's narrative location is recorded as England[21].
- Terror's main subject is supernatural[22].
- Terror's title is recorded as Terror[23].
- Terror's duration is recorded as {'amount': '+87'}[24].
- Terror's P14449 is recorded as 195859[25].
- Terror's P14821 is recorded as 141897[26].
Body
Authorship and Creation
Terror was directed by Norman J. Warren[4]. David McGillivray wrote the screenplay for Terror[5]. Cast members include Cinzia Monreale[8], Glynis Barber[9], Michael Craze[10], William Russell[11], Peter Mayhew[12], and Roy Evans[13].
Publication
Terror was released on January 1, 1978[19]. The original language of Terror was English[16]. Terror's genre is horror film[7].
Subject and Themes
Terror's main subject is supernatural[22].
Why It Matters
Terror ranks in the top 4% of film entities by monthly Wikipedia readership (197 views/month).[2] Terror is known by 7 alternative names across languages and contexts.[27]