Sturm und Drang
play by Friedrich Maximilian Klinger
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Sturm und Drang
Summary
Sturm und Drang is a literary work[1]. It ranks in the top 4% of literary_work entities by monthly Wikipedia readership (80 views/month).[2]
Key Facts
- Sturm und Drang authored Friedrich Maximilian Klinger[3].
- Sturm und Drang's instance of is recorded as literary work[4].
- Sturm und Drang's genre is bourgeois tragedy[5].
- Sturm und Drang's Commons category is recorded as Sturm und Drang (play)[6].
- Sturm und Drang's language of work or name is recorded as German[7].
- Sturm und Drang was published on 1776[8].
- Sturm und Drang's work available at URL is recorded as https://www.projekt-gutenberg.org/klinger/sturmdrg/sturmdrg.html[9].
- Sturm und Drang's date of first performance is recorded as April 1, 1777[10].
- Sturm und Drang's subtitle is recorded as {'lang': 'de', 'text': 'Ein Schauspiel von Klinger'}[11].
- Sturm und Drang's first line is recorded as {'lang': 'de', 'text': 'Heyda! nun einmal in Tumult und Lermen, daß die Sinnen herumfahren wie Dach-Fahnen beym Sturm.'}[12].
- Sturm und Drang's number of parts of this work is recorded as {'unit': 'Q421744', 'amount': '+5'}[13].
- Sturm und Drang's last line is recorded as {'lang': 'de', 'text': 'Wild und Caroline. (in allem Gefühl der Liebe sich umarmend.)'}[14].
- Sturm und Drang's location of first performance is recorded as Leipzig[15].
- Sturm und Drang's copyright status is recorded as public domain[16].
- Sturm und Drang's form of creative work is recorded as play[17].
Body
Authorship and Creation
Sturm und Drang authored Friedrich Maximilian Klinger[3].
Publication
Sturm und Drang was published on 1776[8]. Its language of work or name is recorded as German[7]. Its genre is bourgeois tragedy[5].
Why It Matters
Sturm und Drang ranks in the top 4% of literary_work entities by monthly Wikipedia readership (80 views/month).[2] It has Wikipedia articles in 6 language editions, a strong signal of global cultural recognition.[18] It is known by 3 alternative names across languages and contexts.[19]