Sounds Fake But Okay
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Summary
Sounds Fake But Okay is a podcast show[1]. It draws 196 Wikipedia views per month (podcast_show category, ranking #106 of 295).[2]
Key Facts
- Sounds Fake But Okay's instance of is recorded as podcast show[3].
- Sounds Fake But Okay's genre is LGBT podcast[4].
- Sounds Fake But Okay's genre is sex and sexuality podcast[5].
- Sounds Fake But Okay's genre is health and fitness podcast[6].
- Sounds Fake But Okay's genre is comedy podcast[7].
- Sounds Fake But Okay's presenter is recorded as Sarah Costello[8].
- Sounds Fake But Okay's presenter is recorded as Kayla Kaszyca[9].
- Sounds Fake But Okay's language of work or name is recorded as English[10].
- Sounds Fake But Okay was distributed by audio podcast[11].
- Sounds Fake But Okay's review score is recorded as 4.5/5[12].
- Sounds Fake But Okay's country of origin is recorded as United States[13].
- Sounds Fake But Okay's official website is recorded as https://www.soundsfakepod.com[14].
- Sounds Fake But Okay's main subject is asexuality[15].
- Sounds Fake But Okay's main subject is aromanticism[16].
- Sounds Fake But Okay's web feed URL is recorded as https://feeds.buzzsprout.com/218346.rss[17].
- Sounds Fake But Okay's number of episodes is recorded as {'amount': '+402'}[18].
- Sounds Fake But Okay's podcast logo URL is recorded as https://is1-ssl.mzstatic.com/image/thumb/Podcasts125/v4/60/6d/a4/606da4c0-95f7-5e3d-809e-005d993f4641/mza_19306976436378544.jpg/600x600bb.jpg[19].
Body
Publication
Sounds Fake But Okay's language of work or name is recorded as English[10]. Genres include LGBT podcast[4], sex and sexuality podcast[5], health and fitness podcast[6], and comedy podcast[7]. It was distributed by audio podcast[11].
Subject and Themes
Main subjects include asexuality[15] and aromanticism[16].
Reception
Sounds Fake But Okay's review score is recorded as 4.5/5[12].
Why It Matters
Sounds Fake But Okay draws 196 Wikipedia views per month (podcast_show category, ranking #106 of 295).[2] It is known by 3 alternative names across languages and contexts.[20]