So Sedated, So Secure
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So Sedated, So Secure
Summary
So Sedated, So Secure is an album[1]. It ranks in the top 2% of album entities by monthly Wikipedia readership (46 views/month).[2]
Key Facts
- So Sedated, So Secure's instance of is recorded as album[3].
- So Sedated, So Secure's genre is melodic death metal[4].
- So Sedated, So Secure's genre is metalcore[5].
- So Sedated, So Secure followed The Mark of the Judas[6].
- So Sedated, So Secure was followed by Hidden Hands of a Sadist Nation[7].
- Among the performers on So Sedated, So Secure was Darkest Hour[8].
- So Sedated, So Secure's record label is recorded as Victory Records[9].
- So Sedated, So Secure was distributed by music streaming[10].
- So Sedated, So Secure was released on April 2001[11].
Product Details
The following facts are restated verbatim from public-domain and CC0 open-data sources — every line is independently verifiable against the named source's catalog.
MusicBrainz — CC0 open music encyclopedia
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Release type: Album[12]
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First release date: 2001-08-07[13]
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Genre(s): experimental, grindcore, hardcore punk, heavy metal, melodic death metal, melodic metalcore, metalcore, rock[14]
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Community tags: experimental, grindcore, hardcore punk, heavy metal, melodic death metal, melodic metalcore, metalcore, pop/rock, punk/new wave, rock, thrash[15]
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MusicBrainz ID: 5dddd335-60b2-3cba-9aea-dc3db0d7f968[16]
Body
Authorship and Creation
So Sedated, So Secure was performed by Darkest Hour[8].
Publication
So Sedated, So Secure was published on April 2001[11]. Genres include melodic death metal[4] and metalcore[5]. It was distributed by music streaming[10].
Adaptations and Inspiration
So Sedated, So Secure followed The Mark of the Judas[6]. It was followed by Hidden Hands of a Sadist Nation[7].
Why It Matters
So Sedated, So Secure ranks in the top 2% of album entities by monthly Wikipedia readership (46 views/month).[2] It has Wikipedia articles in 5 language editions, a strong signal of global cultural recognition.[17] It is known by 4 alternative names across languages and contexts.[18]