Shuttle
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Shuttle
Summary
Shuttle is a film[1]. Shuttle ranks in the top 4% of film entities by monthly Wikipedia readership (319 views/month).[2]
Key Facts
- Shuttle's instance of is recorded as film[3].
- Shuttle was directed by Edward Anderson[4].
- Shuttle's composer is recorded as Henning Lohner[5].
- Shuttle's genre is thriller film[6].
- Shuttle's genre is horror film[7].
- A cast member of Shuttle was Peyton List[8].
- A cast member of Shuttle was Cameron Goodman[9].
- A cast member of Shuttle was Cullen Douglas[10].
- A cast member of Shuttle was James Snyder[11].
- A cast member of Shuttle was Tony Curran[12].
- Shuttle's director of photography is recorded as Michael Fimognari[13].
- The original language of Shuttle was English[14].
- Shuttle was distributed by video on demand[15].
- Shuttle's review score is recorded as 50%[16].
- Shuttle's review score is recorded as 5.5/10[17].
- Shuttle's color is recorded as color[18].
- Shuttle's country of origin is recorded as United States[19].
- Shuttle was published on January 1, 2008[20].
- Shuttle's distributed by is recorded as Magnolia Pictures[21].
- Shuttle's distributed by is recorded as Netflix[22].
- Shuttle's title is recorded as Shuttle[23].
- Shuttle's duration is recorded as {'amount': '+107'}[24].
- Shuttle's aspect ratio is recorded as 2.35:1[25].
- Shuttle's Kijkwijzer rating is recorded as 16[26].
- Shuttle's P14449 is recorded as 68548[27].
Body
Authorship and Creation
Shuttle was directed by Edward Anderson[4]. Cast members include Peyton List[8], Cameron Goodman[9], Cullen Douglas[10], James Snyder[11], and Tony Curran[12].
Publication
Shuttle was released on January 1, 2008[20]. The original language of Shuttle was English[14]. Genres include thriller film[6] and horror film[7]. Shuttle was distributed by video on demand[15].
Reception
Reviews include 50%[16] and 5.5/10[17].
Why It Matters
Shuttle ranks in the top 4% of film entities by monthly Wikipedia readership (319 views/month).[2] Shuttle is known by 3 alternative names across languages and contexts.[28]