Serenade for Strings
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Serenade for Strings
Summary
Serenade for Strings is a musical work/composition[1]. It ranks in the top 5% of musical_work_composition entities by monthly Wikipedia readership (224 views/month).[2]
Key Facts
- Serenade for Strings's instance of is recorded as musical work/composition[3].
- Serenade for Strings's composer is recorded as Pyotr Ilyich Tchaikovsky[4].
- Serenade for Strings's genre is serenade[5].
- Serenade for Strings's genre is string orchestra[6].
- Serenade for Strings was published on January 1, 1881[7].
- Serenade for Strings's tonality is recorded as C major[8].
- Serenade for Strings's instrumentation is recorded as string orchestra[9].
- Wolfgang Amadeus Mozart inspired Serenade for Strings[10].
- Serenade for Strings's date of first performance is recorded as October 30, 1881[11].
- Serenade for Strings's title is recorded as {'lang': 'ru', 'text': 'Серенада для струнного оркестра'}[12].
- Serenade for Strings's title is recorded as {'lang': 'en', 'text': 'Serenade for Strings'}[13].
- Serenade for Strings's copyright status is recorded as public domain[14].
- Serenade for Strings's form of creative work is recorded as serenade[15].
- Serenade for Strings's opus number is recorded as 36[16].
Product Details
The following facts are restated verbatim from public-domain and CC0 open-data sources — every line is independently verifiable against the named source's catalog.
MusicBrainz — CC0 open music encyclopedia
- MusicBrainz ID: ec6691e5-79c3-471b-b82d-e94462e42e14[17]
Body
Publication
Serenade for Strings was published on January 1, 1881[7]. Genres include serenade[5] and string orchestra[6].
Adaptations and Inspiration
Wolfgang Amadeus Mozart inspired Serenade for Strings[10].
Why It Matters
Serenade for Strings ranks in the top 5% of musical_work_composition entities by monthly Wikipedia readership (224 views/month).[2] It has Wikipedia articles in 11 language editions, a strong signal of global cultural recognition.[18] It is known by 3 alternative names across languages and contexts.[19]