Sal of Singapore
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Sal of Singapore
Summary
Sal of Singapore is a film[1]. It ranks in the top 4% of film entities by monthly Wikipedia readership (57 views/month).[2]
Key Facts
- Sal of Singapore's instance of is recorded as film[3].
- Sal of Singapore was directed by Howard Higgin[4].
- Elliott J. Clawson wrote the screenplay for Sal of Singapore[5].
- Sal of Singapore's genre is drama film[6].
- Sal of Singapore's genre is silent film[7].
- A cast member of Sal of Singapore was Phyllis Haver[8].
- A cast member of Sal of Singapore was Alan Hale[9].
- A cast member of Sal of Singapore was Fred Kohler[10].
- A cast member of Sal of Singapore was Noble Johnson[11].
- Sal of Singapore's director of photography is recorded as John J. Mescall[12].
- The original language of Sal of Singapore was English[13].
- Sal of Singapore's color is recorded as black-and-white[14].
- Sal of Singapore's country of origin is recorded as United States[15].
- Sal of Singapore was released on January 1, 1928[16].
- Sal of Singapore's distributed by is recorded as Pathé Exchange[17].
- Sal of Singapore's nominated for is recorded as Academy Award for Best Writing[18].
- Sal of Singapore's title is recorded as {'lang': 'en', 'text': 'Sal of Singapore'}[19].
- Sal of Singapore's duration is recorded as {'unit': 'Q7727', 'amount': '+70'}[20].
- Sal of Singapore's aspect ratio is recorded as 4:3[21].
Body
Authorship and Creation
Sal of Singapore was directed by Howard Higgin[4]. Elliott J. Clawson wrote the screenplay for it[5]. Cast members include Phyllis Haver[8], Alan Hale[9], Fred Kohler[10], and Noble Johnson[11].
Publication
Sal of Singapore was published on January 1, 1928[16]. The original language of it was English[13]. Genres include drama film[6] and silent film[7].
Why It Matters
Sal of Singapore ranks in the top 4% of film entities by monthly Wikipedia readership (57 views/month).[2] It has Wikipedia articles in 8 language editions, a strong signal of global cultural recognition.[22] It is known by 9 alternative names across languages and contexts.[23]