Q132594028

Summary

Q132594028 is a painting^[1]. Q132594028 is known by 3 alternative names across languages and contexts.^[2]

Key Facts

• Q132594028 is the creator of Ni Zan^[3].
• Q132594028's instance of is recorded as painting^[4].
• Q132594028's instance of is recorded as work of art^[5].
• Q132594028's instance of is recorded as fittings^[6].
• Q132594028's genre is Four Masters of the Yuan Dynasty^[7].
• Q132594028's depicts is recorded as shan shui^[8].
• Q132594028's depicts is recorded as tree^[9].
• Q132594028's depicts is recorded as stone^[10].
• Q132594028's depicts is recorded as autumn^[11].
• Q132594028 is made of paper^[12].
• Q132594028's collection is recorded as Shanghai Museum^[13].
• Q132594028 took place at Shanghai Museum^[14].
• Q132594028's country of origin is recorded as Yuan dynasty^[15].
• 1355 marks the founding of Q132594028^[16].
• Q132594028's exhibition history is recorded as Q132796716^[17].
• Q132594028's exhibition history is recorded as Q132852804^[18].
• Q132594028's described at URL is recorded as https://www.shanghaimuseum.net/mu/frontend/pg/m/article/id/CI00001018^[19].
• Q132594028's inscription is recorded as 江城风雨歇，笔研晚生凉。囊楮未埋没，悲歌何慨慷。秋山翠冉冉，湖水玉汪汪。珍重张高士，闲披对石床。此图余乙未岁戏写于王云浦渔庄，忽已十八年矣。不意子宜友契藏而不忍弃捐，感怀畴昔，因成五言。壬子七月廿日。瓒。^[20].
• Q132594028's height is recorded as {'unit': 'http://www.wikidata.org/entity/Q174728', 'amount': '+96.1'}^[21].
• Q132594028's width is recorded as {'unit': 'http://www.wikidata.org/entity/Q174728', 'amount': '+46.1'}^[22].
• Q132594028's fabrication method is recorded as ink wash painting^[23].
• Q132594028 dates from the Yuan dynasty^[24].
• Q132594028 dates from the Zhizheng^[25].
• Q132594028's copyright status is recorded as public domain^[26].
• Q132594028's form of creative work is recorded as hanging scroll^[27].

Body

Definition and Type

Recorded instance of include painting^[4], work of art^[5], and fittings^[6].

Origins

1355 marks the founding of Q132594028^[16].

Why It Matters

Q132594028 is known by 3 alternative names across languages and contexts.^[2]