Popule meus (Moteto nº 6)
composition by Luís Álvares Pinto
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Summary
Popule meus (Moteto nº 6) is a musical work/composition[1].
Key Facts
- Popule meus (Moteto nº 6)'s instance of is recorded as musical work/composition[2].
- Popule meus (Moteto nº 6)'s composer is recorded as Luís Álvares Pinto[3].
- Popule meus (Moteto nº 6) is associated with the Brazilian colonial music movement[4].
- Popule meus (Moteto nº 6)'s genre is religious music[5].
- Popule meus (Moteto nº 6)'s collection is recorded as Sheet music of Luís Álvares Pinto[6].
- Popule meus (Moteto nº 6)'s Commons category is recorded as Sheet music of Luís Álvares Pinto[7].
- Popule meus (Moteto nº 6)'s instrumentation is recorded as recorder[8].
- Popule meus (Moteto nº 6)'s instrumentation is recorded as voice[9].
- Popule meus (Moteto nº 6)'s instrumentation is recorded as double bass[10].
- Popule meus (Moteto nº 6)'s instrumentation is recorded as choir[11].
- Popule meus (Moteto nº 6)'s described by source is recorded as Musica Brasilis[12].
- Popule meus (Moteto nº 6)'s title is recorded as Popule meus (Moteto nº 6)[13].
- Popule meus (Moteto nº 6)'s on focus list of Wikimedia project is recorded as Musica Brasilis GLAM[14].
- Popule meus (Moteto nº 6)'s form of creative work is recorded as concerto for recorder[15].
- Popule meus (Moteto nº 6)'s form of creative work is recorded as concerto for double bass[16].
Body
Publication
Popule meus (Moteto nº 6)'s genre is religious music[5].
Subject and Themes
Popule meus (Moteto nº 6) is associated with the Brazilian colonial music movement[4].