Penthouse
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Penthouse
Summary
Penthouse is a film[1]. Penthouse ranks in the top 4% of film entities by monthly Wikipedia readership (637 views/month).[2]
Key Facts
- Penthouse's instance of is recorded as film[3].
- Penthouse was directed by W. S. Van Dyke[4].
- Frances Goodrich wrote the screenplay for Penthouse[5].
- Albert Hackett wrote the screenplay for Penthouse[6].
- Ayn Rand wrote the screenplay for Penthouse[7].
- Penthouse's composer is recorded as William Axt[8].
- Penthouse is associated with the Pre-Code Hollywood movement[9].
- Penthouse's genre is crime film[10].
- A cast member of Penthouse was Warner Baxter[11].
- A cast member of Penthouse was Myrna Loy[12].
- Penthouse was produced by Hunt Stromberg[13].
- Penthouse's director of photography is recorded as Lucien Andriot[14].
- The original language of Penthouse was English[15].
- Penthouse's color is recorded as black-and-white[16].
- Penthouse's country of origin is recorded as United States[17].
- Penthouse was released on January 1, 1933[18].
- Penthouse's distributed by is recorded as Metro-Goldwyn-Mayer[19].
- Penthouse's narrative location is recorded as New York City[20].
- Penthouse's film editor is recorded as Robert J. Kern[21].
- Penthouse's title is recorded as {'lang': 'en', 'text': 'Penthouse'}[22].
- Penthouse's duration is recorded as {'unit': 'Q7727', 'amount': '+90'}[23].
Body
Authorship and Creation
Penthouse was produced by Hunt Stromberg[13]. Penthouse was directed by W. S. Van Dyke[4]. Screenwriters include Frances Goodrich[5], Albert Hackett[6], and Ayn Rand[7]. Cast members include Warner Baxter[11] and Myrna Loy[12].
Publication
Penthouse was released on January 1, 1933[18]. The original language of Penthouse was English[15]. Penthouse's genre is crime film[10].
Subject and Themes
Penthouse is associated with the Pre-Code Hollywood movement[9].
Why It Matters
Penthouse ranks in the top 4% of film entities by monthly Wikipedia readership (637 views/month).[2] Penthouse is known by 3 alternative names across languages and contexts.[24]