Pegasus Fantasy
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Pegasus Fantasy
Summary
Pegasus Fantasy is a single[1]. It ranks in the top 3% of single entities by monthly Wikipedia readership (182 views/month).[2]
Key Facts
- Pegasus Fantasy's instance of is recorded as single[3].
- Pegasus Fantasy's genre is hard rock[4].
- Among the performers on Pegasus Fantasy was Make-Up[5].
- Pegasus Fantasy's record label is recorded as Nippon Columbia[6].
- Pegasus Fantasy's place of publication is recorded as Japan[7].
- Pegasus Fantasy's language of work or name is recorded as Japanese[8].
- Pegasus Fantasy was published on October 21, 1986[9].
- Pegasus Fantasy was released on January 17, 2009[10].
- Pegasus Fantasy's present in work is recorded as Saint Seiya[11].
- Pegasus Fantasy's present in work is recorded as Saint Seiya: The Sanctuary[12].
- Pegasus Fantasy's present in work is recorded as J-Stars Victory Vs[13].
- Pegasus Fantasy's title is recorded as {'lang': 'ja', 'text': 'ペガサス幻想/永遠ブルー'}[14].
- Pegasus Fantasy's media franchise is recorded as Saint Seiya[15].
Product Details
The following facts are restated verbatim from public-domain and CC0 open-data sources — every line is independently verifiable against the named source's catalog.
MusicBrainz — CC0 open music encyclopedia
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Release type: Single[16]
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First release date: 1986-10-21[17]
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Genre(s): hard rock, pop, rock[18]
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Community tags: hard rock, pop, rock[19]
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MusicBrainz ID: 39b2dbf1-8057-428c-a43c-a4aefdabd38b[20]
Body
Authorship and Creation
Among the performers on Pegasus Fantasy was Make-Up[5].
Publication
Publication dates include October 21, 1986[9] and January 17, 2009[10]. Pegasus Fantasy's place of publication is recorded as Japan[7]. Its language of work or name is recorded as Japanese[8]. Its genre is hard rock[4].
Why It Matters
Pegasus Fantasy ranks in the top 3% of single entities by monthly Wikipedia readership (182 views/month).[2] It has Wikipedia articles in 7 language editions, a strong signal of global cultural recognition.[21] It is known by 5 alternative names across languages and contexts.[22]