Pater mi (Moteto nº 1)
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Summary
Pater mi (Moteto nº 1) is a musical work/composition[1].
Key Facts
- Pater mi (Moteto nº 1)'s instance of is recorded as musical work/composition[2].
- Pater mi (Moteto nº 1)'s composer is recorded as Luís Álvares Pinto[3].
- Pater mi (Moteto nº 1) is associated with the Brazilian colonial music movement[4].
- Pater mi (Moteto nº 1)'s genre is religious music[5].
- Pater mi (Moteto nº 1)'s collection is recorded as Sheet music of Luís Álvares Pinto[6].
- Pater mi (Moteto nº 1)'s Commons category is recorded as Sheet music of Luís Álvares Pinto[7].
- Pater mi (Moteto nº 1)'s instrumentation is recorded as recorder[8].
- Pater mi (Moteto nº 1)'s instrumentation is recorded as voice[9].
- Pater mi (Moteto nº 1)'s instrumentation is recorded as double bass[10].
- Pater mi (Moteto nº 1)'s instrumentation is recorded as choir[11].
- Pater mi (Moteto nº 1)'s described by source is recorded as Musica Brasilis[12].
- Pater mi (Moteto nº 1)'s title is recorded as Pater mi (Moteto nº 1)[13].
- Pater mi (Moteto nº 1)'s on focus list of Wikimedia project is recorded as Musica Brasilis GLAM[14].
- Pater mi (Moteto nº 1)'s form of creative work is recorded as concerto for recorder[15].
- Pater mi (Moteto nº 1)'s form of creative work is recorded as concerto for double bass[16].
Body
Publication
Pater mi (Moteto nº 1)'s genre is religious music[5].
Subject and Themes
Pater mi (Moteto nº 1) is associated with the Brazilian colonial music movement[4].