Parodius! From Myth to Laughter
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Parodius! From Myth to Laughter
Summary
Parodius! From Myth to Laughter is a video game[1]. It has Wikipedia articles in 7 language editions, a strong signal of global cultural recognition.[2]
Key Facts
- Parodius! From Myth to Laughter's instance of is recorded as video game[3].
- Parodius! From Myth to Laughter was published by Konami[4].
- Parodius! From Myth to Laughter's genre is shoot 'em up[5].
- Among the performers on Parodius! From Myth to Laughter was Konami Kukeiha Club[6].
- Parodius! From Myth to Laughter's developer is recorded as Konami[7].
- Parodius! From Myth to Laughter's part of the series is recorded as Parodius[8].
- Parodius! From Myth to Laughter's platform is recorded as arcade video game machine[9].
- Parodius! From Myth to Laughter's platform is recorded as Nintendo Entertainment System[10].
- Parodius! From Myth to Laughter's platform is recorded as TurboGrafx-16[11].
- Parodius! From Myth to Laughter's platform is recorded as Super Nintendo Entertainment System[12].
- Parodius! From Myth to Laughter's game mode is recorded as multiplayer video game[13].
- Parodius! From Myth to Laughter's game mode is recorded as single-player video game[14].
- Parodius! From Myth to Laughter's input device is recorded as joystick[15].
- Parodius! From Myth to Laughter's country of origin is recorded as Japan[16].
- Parodius! From Myth to Laughter was released on April 25, 1990[17].
Body
Authorship and Creation
Parodius! From Myth to Laughter was published by Konami[4]. It was performed by Konami Kukeiha Club[6].
Publication
Parodius! From Myth to Laughter was published on April 25, 1990[17]. Its genre is shoot 'em up[5]. Its part of the series is recorded as Parodius[8].
Subject and Themes
Parodius! From Myth to Laughter's part of the series is recorded as Parodius[8].
Why It Matters
Parodius! From Myth to Laughter has Wikipedia articles in 7 language editions, a strong signal of global cultural recognition.[2] It is known by 12 alternative names across languages and contexts.[18]