Oracle
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Oracle
Summary
Oracle is a film character[1]. She worked as an oracle[2] and revolutionary[3]. She draws 379 Wikipedia views per month (film_character category, ranking #57 of 130).[4]
Key Facts
- Oracle worked as an oracle[2].
- Oracle's professions included revolutionary[3].
- Oracle is the creator of the Wachowskis[5].
- Oracle's image is recorded as MaryAlice.jpg[6].
- Oracle is recorded as female[7].
- Oracle's instance of is recorded as film character[8].
- Oracle's instance of is recorded as fictional artificial intelligence[9].
- Oracle's performer is recorded as Gloria Foster[10].
- Oracle's performer is recorded as Mary Alice[11].
- Oracle's Freebase ID is recorded as /m/02f8js[12].
- Oracle's from narrative universe is recorded as Matrix universe[13].
- Oracle's present in work is recorded as The Matrix series[14].
- Oracle's present in work is recorded as Enter the Matrix[15].
- Oracle's present in work is recorded as The Matrix Online[16].
- Oracle's Giant Bomb ID is recorded as 3005-4527[17].
- Oracle's Comic Vine ID is recorded as 4005-52467[18].
- Oracle's Fandom article ID is recorded as matrix:The_Oracle[19].
- Oracle's Fandom article ID is recorded as de.matrix:The_Oracle[20].
- Oracle's Fandom article ID is recorded as it.matrix:The_Oracle[21].
- Oracle's Fandom article ID is recorded as pl.matrix:The_Oracle[22].
- Oracle's Fandom article ID is recorded as ru.neopedia:The_Oracle[23].
- Oracle's Fandom article ID is recorded as uk.matrix:The_Oracle[24].
- Oracle's media franchise is recorded as The Matrix[25].
- Oracle's Personality Database profile ID is recorded as 6955[26].
Body
Career and Affiliations
Recorded occupations include oracle[2] and revolutionary[3].
Works and Contributions
Oracle is the creator of the Wachowskis[5].
Why It Matters
Oracle draws 379 Wikipedia views per month (film_character category, ranking #57 of 130).[4] She has Wikipedia articles in 9 language editions, a strong signal of global cultural recognition.[27] She is known by 5 alternative names across languages and contexts.[28]