One Kreuzer Black
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One Kreuzer Black
Summary
One Kreuzer Black is a stamp edition[1]. It draws 13 Wikipedia views per month (stamp_edition category, ranking #16 of 40).[2]
Key Facts
- One Kreuzer Black's image is recorded as First Bavaria postage stamp 1k 1849 issue.jpg[3].
- One Kreuzer Black's instance of is recorded as stamp edition[4].
- One Kreuzer Black's instance of is recorded as postage stamp[5].
- One Kreuzer Black's GND ID is recorded as 4554681-2[6].
- One Kreuzer Black's designed by is recorded as Johann Peter Haseney[7].
- One Kreuzer Black's part of is recorded as Square Edition Bavaria 1849[8].
- One Kreuzer Black's Commons category is recorded as Johann Peter Haseney[9].
- One Kreuzer Black's country of origin is recorded as Kingdom of Bavaria[10].
- One Kreuzer Black's publication date is recorded as +1849-11-01T00:00:00Z[11].
- One Kreuzer Black's start time is recorded as +1849-11-01T00:00:00Z[12].
- One Kreuzer Black's end time is recorded as +1864-08-31T00:00:00Z[13].
- One Kreuzer Black's Freebase ID is recorded as /m/02z0c8b[14].
- One Kreuzer Black's Commons gallery is recorded as Stamps of Bavaria[15].
- One Kreuzer Black's location of creation is recorded as Munich[16].
- One Kreuzer Black's total produced is recorded as {'amount': '+832500'}[17].
- One Kreuzer Black's quantity is recorded as {'amount': '+30000'}[18].
- One Kreuzer Black's quantity is recorded as {'amount': '+1'}[19].
- One Kreuzer Black's nickname is recorded as {'lang': 'de', 'text': 'Schwarzer Einser'}[20].
- One Kreuzer Black's stamp perforation is recorded as imperforate[21].
Body
Geography
One Kreuzer Black's part of is recorded as Square Edition Bavaria 1849[8].
Designation and Status
Recorded instance of include stamp edition[4] and postage stamp[5].
Why It Matters
One Kreuzer Black draws 13 Wikipedia views per month (stamp_edition category, ranking #16 of 40).[2] It has Wikipedia articles in 9 language editions, a strong signal of global cultural recognition.[22] It is known by 14 alternative names across languages and contexts.[23]