Nemesis
0 sources
Nemesis
Summary
Nemesis is a copper engraving print[1]. Nemesis draws 1 Wikipedia views per month (copper_engraving_print category, ranking #8 of 7).[2]
Key Facts
- Nemesis is the creator of Albrecht Dürer[3].
- Nemesis's image is recorded as Albrecht Dürer, Nemesis (The Great Fortune), c. 1501-1502, NGA 6603.jpg[4].
- Nemesis's image is recorded as ADurerFortunaengraving.jpg[5].
- Nemesis's instance of is recorded as copper engraving print[6].
- Nemesis's instance of is recorded as print[7].
- Nemesis's maintained by is recorded as Drawings and Prints[8].
- Nemesis's movement is recorded as German Renaissance[9].
- Nemesis's genre is recorded as nude[10].
- Nemesis's genre is recorded as allegory[11].
- Nemesis's genre is recorded as historical fiction[12].
- Nemesis's depicts is recorded as Nemesis[13].
- Nemesis's made from material is recorded as laid paper[14].
- Nemesis's made from material is recorded as engraving[15].
- Nemesis's collection is recorded as Staatliche Kunsthalle Karlsruhe[16].
- Nemesis's collection is recorded as National Gallery of Art[17].
- Nemesis's collection is recorded as Prints in the National Gallery of Art[18].
- Nemesis's collection is recorded as Rosenwald Collection[19].
- Nemesis's collection is recorded as Cleveland Museum of Art[20].
- Nemesis's collection is recorded as Israel Museum[21].
- Nemesis's collection is recorded as Museum Boijmans Van Beuningen[22].
- Nemesis's collection is recorded as The Nelson-Atkins Museum of Art[23].
- Nemesis's collection is recorded as National Gallery of Victoria[24].
- Nemesis's collection is recorded as Art Gallery of South Australia[25].
- Nemesis's collection is recorded as Los Angeles County Museum of Art[26].
- Nemesis's collection is recorded as Cooper Hewitt, Smithsonian Design Museum[27].
Body
Works and Contributions
Nemesis is the creator of Albrecht Dürer[3].
Why It Matters
Nemesis draws 1 Wikipedia views per month (copper_engraving_print category, ranking #8 of 7).[2] Nemesis is known by 10 alternative names across languages and contexts.[28]