Mr. Denton on Doomsday

Summary

Mr. Denton on Doomsday is a television series episode^[1]. It ranks in the top 2% of television_series_episode entities by monthly Wikipedia readership (1,069 views/month).^[2]

Key Facts

• Mr. Denton on Doomsday's instance of is recorded as television series episode^[3].
• Mr. Denton on Doomsday was directed by Allen Reisner^[4].
• Rod Serling wrote the screenplay for Mr. Denton on Doomsday^[5].
• Mr. Denton on Doomsday followed One for the Angels^[6].
• Mr. Denton on Doomsday was followed by The Sixteen-Millimeter Shrine^[7].
• Mr. Denton on Doomsday was produced by Buck Houghton^[8].
• Mr. Denton on Doomsday's part of the series is recorded as The Twilight Zone^[9].
• Mr. Denton on Doomsday's director of photography is recorded as George T. Clemens^[10].
• The original language of Mr. Denton on Doomsday was English^[11].
• Mr. Denton on Doomsday was published on October 16, 1959^[12].
• Mr. Denton on Doomsday's title is recorded as Mr. Denton on Doomsday^[13].
• Mr. Denton on Doomsday's duration is recorded as {'amount': '+25'}^[14].
• Mr. Denton on Doomsday's production code is recorded as 173-3609^[15].
• Mr. Denton on Doomsday's season is recorded as The Twilight Zone, season 1^[16].

Body

Authorship and Creation

Mr. Denton on Doomsday was produced by Buck Houghton^[8]. It was directed by Allen Reisner^[4]. Rod Serling wrote the screenplay for it^[5].

Publication

Mr. Denton on Doomsday was released on October 16, 1959^[12]. The original language of it was English^[11]. Its part of the series is recorded as The Twilight Zone^[9].

Subject and Themes

Mr. Denton on Doomsday's part of the series is recorded as The Twilight Zone^[9].

Adaptations and Inspiration

Mr. Denton on Doomsday followed One for the Angels^[6]. It was followed by The Sixteen-Millimeter Shrine^[7].

Why It Matters

Mr. Denton on Doomsday ranks in the top 2% of television_series_episode entities by monthly Wikipedia readership (1,069 views/month).^[2] It is known by 8 alternative names across languages and contexts.^[17]