Mary Magdalene

Summary

Mary Magdalene is a statue^[1]. It draws 15 Wikipedia views per month (statue category, ranking #116 of 690).^[2]

Key Facts

• Mary Magdalene is the creator of Gregor Erhart^[3].
• Mary Magdalene's image is recorded as Sainte Marie Madeleine - Gregor Erhart - Musée du Louvre Sculptures RF 1338.jpg^[4].
• Mary Magdalene's instance of is recorded as statue^[5].
• Mary Magdalene's instance of is recorded as sculpture^[6].
• Mary Magdalene's owned by is recorded as French State^[7].
• Mary Magdalene's movement is recorded as Gothic art^[8].
• Mary Magdalene's genre is recorded as religious painting^[9].
• Mary Magdalene's genre is recorded as nude^[10].
• Mary Magdalene's based on is recorded as Penitent Magdalene^[11].
• Mary Magdalene's depicts is recorded as Mary Magdalene^[12].
• Mary Magdalene's depicts is recorded as woman^[13].
• Mary Magdalene's depicts is recorded as waist-length hair^[14].
• Mary Magdalene's depicts is recorded as nudity^[15].
• Mary Magdalene's depicts is recorded as contrapposto^[16].
• Mary Magdalene's depicts is recorded as female breast^[17].
• Mary Magdalene's depicts is recorded as prayer^[18].
• Mary Magdalene's depicts is recorded as nipple^[19].
• Mary Magdalene's depicts is recorded as mortification of the flesh^[20].
• Mary Magdalene's made from material is recorded as limewood^[21].
• Mary Magdalene's made from material is recorded as polychromy^[22].
• Mary Magdalene's collection is recorded as Department of Sculptures of the Louvre^[23].
• Mary Magdalene's inventory number is recorded as RF 1338^[24].
• Mary Magdalene's location is recorded as Room 169^[25].
• Mary Magdalene's Commons category is recorded as Madeleine Pénitente - Gregor Erhart - RF 1338^[26].
• +1515-01-01T00:00:00Z marks the founding of Mary Magdalene^[27].

Body

Works and Contributions

Mary Magdalene is the creator of Gregor Erhart^[3].

Why It Matters

Mary Magdalene draws 15 Wikipedia views per month (statue category, ranking #116 of 690).^[2] It is known by 6 alternative names across languages and contexts.^[28]