Lalisa
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Summary
Lalisa is a single album[1]. Lalisa draws 1,911 Wikipedia views per month (single_album category, ranking #6 of 39).[2]
Key Facts
- Lalisa's instance of is recorded as single album[3].
- Lalisa's composer is recorded as 24[4].
- Lalisa's composer is recorded as Bekuh BOOM[5].
- Lalisa's composer is recorded as Teddy Park[6].
- Lalisa's genre is K-pop[7].
- Lalisa's genre is hip-hop[8].
- Lalisa's genre is rapping[9].
- Lalisa was followed by Alter Ego[10].
- Lalisa was produced by Bekuh BOOM[11].
- Lalisa was produced by Teddy Park[12].
- Lalisa was produced by R.Tee[13].
- Lalisa was performed by Lisa[14].
- Lalisa's record label is recorded as YG Entertainment[15].
- Lalisa's record label is recorded as Interscope Records[16].
- Lalisa's place of publication is recorded as South Korea[17].
- Lalisa's language of work or name is recorded as Korean[18].
- Lalisa's language of work or name is recorded as English[19].
- Lalisa was published on September 10, 2021[20].
- Lalisa's lyricist is recorded as Teddy Park[21].
- Lalisa's lyricist is recorded as Bekuh BOOM[22].
- Lalisa's title is recorded as LALISA[23].
- Lalisa's has characteristic is recorded as debut solo single[24].
- Lalisa's duration is recorded as {'amount': '+368'}[25].
- Lalisa's adapted by is recorded as 24[26].
- Lalisa's adapted by is recorded as R.Tee[27].
Body
Authorship and Creation
Lalisa was performed by Lisa[14]. Producers include Bekuh BOOM[11], Teddy Park[12], and R.Tee[13].
Publication
Lalisa was published on September 10, 2021[20]. Lalisa's place of publication is recorded as South Korea[17]. Languages include Korean[18] and English[19]. Genres include K-pop[7], hip-hop[8], and rapping[9].
Adaptations and Inspiration
Lalisa was followed by Alter Ego[10].
Why It Matters
Lalisa draws 1,911 Wikipedia views per month (single_album category, ranking #6 of 39).[2] Lalisa has Wikipedia articles in 13 language editions, a strong signal of global cultural recognition.[28] Lalisa is known by 8 alternative names across languages and contexts.[29]