La Delatora
1955 film by Kurt Land
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La Delatora
Summary
La Delatora is a film[1]. It ranks in the top 4% of film entities by monthly Wikipedia readership (7 views/month).[2]
Key Facts
- La Delatora's instance of is recorded as film[3].
- La Delatora was directed by Kurt Land[4].
- La Delatora's genre is crime film[5].
- A cast member of La Delatora was Nathán Pinzón[6].
- A cast member of La Delatora was Alberto Bello[7].
- A cast member of La Delatora was Amalia Bernabé[8].
- A cast member of La Delatora was Arturo Arcari[9].
- A cast member of La Delatora was Susana Campos[10].
- A cast member of La Delatora was Carlos Estrada[11].
- A cast member of La Delatora was Diana Maggi[12].
- A cast member of La Delatora was Lautaro Murúa[13].
- A cast member of La Delatora was Miguel A. Olmos[14].
- A cast member of La Delatora was Georges Rivière[15].
- A cast member of La Delatora was Fada Santoro[16].
- A cast member of La Delatora was Osvaldo Terranova[17].
- A cast member of La Delatora was Félix Tortorelli[18].
- A cast member of La Delatora was Carmen Giménez[19].
- A cast member of La Delatora was Víctor Martucci[20].
- A cast member of La Delatora was Jaime Saslavsky[21].
- A cast member of La Delatora was Carlos D'Agostino[22].
- La Delatora's director of photography is recorded as Américo Hoss[23].
- The original language of La Delatora was Spanish[24].
- La Delatora's color is recorded as black-and-white[25].
- La Delatora's country of origin is recorded as Argentina[26].
- La Delatora was published on 1955[27].
Body
Authorship and Creation
La Delatora was directed by Kurt Land[4]. Cast members include Nathán Pinzón[6], Alberto Bello[7], Amalia Bernabé[8], Arturo Arcari[9], Susana Campos[10], and Carlos Estrada[11].
Publication
La Delatora was published on 1955[27]. The original language of it was Spanish[24]. Its genre is crime film[5].
Why It Matters
La Delatora ranks in the top 4% of film entities by monthly Wikipedia readership (7 views/month).[2] It is known by 3 alternative names across languages and contexts.[28]