Kreuzspiel, Louange à L'éternité de Jésus, and Mashups: Three Analytical Essays on Music from the Twentieth and Twenty-first Centuries
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Kreuzspiel, Louange à L'éternité de Jésus, and Mashups: Three Analytical Essays on Music from the Twentieth and Twenty-first Centuries
Summary
Kreuzspiel, Louange à L'éternité de Jésus, and Mashups: Three Analytical Essays on Music from the Twentieth and Twenty-first Centuries is a master's thesis[1].
Key Facts
- Kreuzspiel, Louange à L'éternité de Jésus, and Mashups: Three Analytical Essays on Music from the Twentieth and Twenty-first Centuries authored Three Analytical Essays on Music from the Twentieth and Twenty-first Centuries — author (P50): Thomas Johnson[2].
- Kreuzspiel, Louange à L'éternité de Jésus, and Mashups: Three Analytical Essays on Music from the Twentieth and Twenty-first Centuries authored Three Analytical Essays on Music from the Twentieth and Twenty-first Centuries — author (P50): Thomas Johnson[3].
- Kreuzspiel, Louange à L'éternité de Jésus, and Mashups: Three Analytical Essays on Music from the Twentieth and Twenty-first Centuries's instance of is recorded as Three Analytical Essays on Music from the Twentieth and Twenty-first Centuries — instance of (P31): master's thesis[4].
- Kreuzspiel, Louange à L'éternité de Jésus, and Mashups: Three Analytical Essays on Music from the Twentieth and Twenty-first Centuries's instance of is recorded as Three Analytical Essays on Music from the Twentieth and Twenty-first Centuries — instance of (P31): written work[5].
- Kreuzspiel, Louange à L'éternité de Jésus, and Mashups: Three Analytical Essays on Music from the Twentieth and Twenty-first Centuries's OCLC number is recorded as 879580595[6].
- Kreuzspiel, Louange à L'éternité de Jésus, and Mashups: Three Analytical Essays on Music from the Twentieth and Twenty-first Centuries's language of work or name is recorded as Three Analytical Essays on Music from the Twentieth and Twenty-first Centuries — language of work or name (P407): English[7].
- +2013-01-01T00:00:00Z marks the founding of Kreuzspiel, Louange à L'éternité de Jésus, and Mashups: Three Analytical Essays on Music from the Twentieth and Twenty-first Centuries[8].
- Kreuzspiel, Louange à L'éternité de Jésus, and Mashups: Three Analytical Essays on Music from the Twentieth and Twenty-first Centuries's main subject is recorded as Three Analytical Essays on Music from the Twentieth and Twenty-first Centuries — main subject (P921): Kreuzspiel[9].
- Kreuzspiel, Louange à L'éternité de Jésus, and Mashups: Three Analytical Essays on Music from the Twentieth and Twenty-first Centuries's main subject is recorded as Three Analytical Essays on Music from the Twentieth and Twenty-first Centuries — main subject (P921): Karlheinz Stockhausen[10].
- Kreuzspiel, Louange à L'éternité de Jésus, and Mashups: Three Analytical Essays on Music from the Twentieth and Twenty-first Centuries's main subject is recorded as Three Analytical Essays on Music from the Twentieth and Twenty-first Centuries — main subject (P921): Olivier Messiaen[11].
- Kreuzspiel, Louange à L'éternité de Jésus, and Mashups: Three Analytical Essays on Music from the Twentieth and Twenty-first Centuries's main subject is recorded as Three Analytical Essays on Music from the Twentieth and Twenty-first Centuries — main subject (P921): musical quotation[12].
- Kreuzspiel, Louange à L'éternité de Jésus, and Mashups: Three Analytical Essays on Music from the Twentieth and Twenty-first Centuries's main subject is recorded as Three Analytical Essays on Music from the Twentieth and Twenty-first Centuries — main subject (P921): mashup[13].
- Kreuzspiel, Louange à L'éternité de Jésus, and Mashups: Three Analytical Essays on Music from the Twentieth and Twenty-first Centuries's work available at URL is recorded as http://hdl.handle.net/1773/23571[14].
- Kreuzspiel, Louange à L'éternité de Jésus, and Mashups: Three Analytical Essays on Music from the Twentieth and Twenty-first Centuries's number of pages is recorded as {'unit': 'http://www.wikidata.org/entity/Q56761382', 'amount': '+4'}[15].
- Kreuzspiel, Louange à L'éternité de Jésus, and Mashups: Three Analytical Essays on Music from the Twentieth and Twenty-first Centuries's number of pages is recorded as {'unit': 'http://www.wikidata.org/entity/Q1069725', 'amount': '+110'}[16].
- Kreuzspiel, Louange à L'éternité de Jésus, and Mashups: Three Analytical Essays on Music from the Twentieth and Twenty-first Centuries's Handle ID is recorded as 1773/23571[17].
- Kreuzspiel, Louange à L'éternité de Jésus, and Mashups: Three Analytical Essays on Music from the Twentieth and Twenty-first Centuries's title is recorded as Kreuzspiel, Louange à L'éternité de Jésus, and Mashups[18].
- Kreuzspiel, Louange à L'éternité de Jésus, and Mashups: Three Analytical Essays on Music from the Twentieth and Twenty-first Centuries's subtitle is recorded as Three Analytical Essays on Music from the Twentieth and Twenty-first Centuries[19].
- Kreuzspiel, Louange à L'éternité de Jésus, and Mashups: Three Analytical Essays on Music from the Twentieth and Twenty-first Centuries's thesis submitted to is recorded as Three Analytical Essays on Music from the Twentieth and Twenty-first Centuries — thesis submitted to (P4101): University of Washington[20].
- Kreuzspiel, Louange à L'éternité de Jésus, and Mashups: Three Analytical Essays on Music from the Twentieth and Twenty-first Centuries's on focus list of Wikimedia project is recorded as Three Analytical Essays on Music from the Twentieth and Twenty-first Centuries — on focus list of Wikimedia project (P5008): WikiProject PCC Wikidata Pilot/University of Washington[21].
- Kreuzspiel, Louange à L'éternité de Jésus, and Mashups: Three Analytical Essays on Music from the Twentieth and Twenty-first Centuries's thesis committee member is recorded as Three Analytical Essays on Music from the Twentieth and Twenty-first Centuries — thesis committee member (P9161): Jonathan W. Bernard[22].
- Kreuzspiel, Louange à L'éternité de Jésus, and Mashups: Three Analytical Essays on Music from the Twentieth and Twenty-first Centuries's thesis committee member is recorded as Three Analytical Essays on Music from the Twentieth and Twenty-first Centuries — thesis committee member (P9161): Áine Heneghan[23].
Body
Designation and Status
Recorded instance of include Three Analytical Essays on Music from the Twentieth and Twenty-first Centuries — instance of (P31): master's thesis[4] and Three Analytical Essays on Music from the Twentieth and Twenty-first Centuries — instance of (P31): written work[5].
History and Context
+2013-01-01T00:00:00Z marks the founding of Kreuzspiel, Louange à L'éternité de Jésus, and Mashups: Three Analytical Essays on Music from the Twentieth and Twenty-first Centuries[8].