Jupiter and Danaë
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Jupiter and Danaë
Summary
Jupiter and Danaë is a painting[1]. It is known by 4 alternative names across languages and contexts.[2]
Key Facts
- Jupiter and Danaë is the creator of Joachim Wtewael[3].
- Jupiter and Danaë's instance of is recorded as painting[4].
- Jupiter and Danaë is owned by French State[5].
- Jupiter and Danaë's genre is mythological painting[6].
- Jupiter and Danaë's depicts is recorded as bow[7].
- Jupiter and Danaë's depicts is recorded as quiver[8].
- Jupiter and Danaë's depicts is recorded as bedroom[9].
- Jupiter and Danaë's depicts is recorded as Danaë[10].
- Jupiter and Danaë's depicts is recorded as spinning[11].
- Jupiter and Danaë's depicts is recorded as Jupiter[12].
- Jupiter and Danaë's depicts is recorded as bed[13].
- Jupiter and Danaë's depicts is recorded as nudity[14].
- Jupiter and Danaë's depicts is recorded as gold[15].
- Jupiter and Danaë's depicts is recorded as fear[16].
- Jupiter and Danaë's depicts is recorded as putto[17].
- Jupiter and Danaë's depicts is recorded as old age[18].
- Jupiter and Danaë's depicts is recorded as beatific vision[19].
- Jupiter and Danaë is made of oil paint[20].
- Jupiter and Danaë is made of copper[21].
- Jupiter and Danaë's collection is recorded as Department of Paintings of the Louvre[22].
- Jupiter and Danaë's inventory number is recorded as RF 1979-23[23].
- Jupiter and Danaë's inventory number is recorded as RF 1979 23[24].
- The location of Jupiter and Danaë was Room 808[25].
- Jupiter and Danaë's Commons category is recorded as Jupiter and Danaë - Joachim Wtewael - Louvre RF 1979-23[26].
- January 1, 1587 marks the founding of Jupiter and Danaë[27].
Body
Authorship and Creation
Jupiter and Danaë is the creator of Joachim Wtewael[3].
Publication
Jupiter and Danaë's genre is mythological painting[6].
Material and Period
Recorded made from material include oil paint[20] and copper[21]. The location of Jupiter and Danaë was Room 808[25].
Why It Matters
Jupiter and Danaë is known by 4 alternative names across languages and contexts.[2]