Judith
painting by Andrea Mantegna
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Summary
Judith is a painting[1]. Judith is known by 3 alternative names across languages and contexts.[2]
Key Facts
- Judith is the creator of Andrea Mantegna[3].
- Judith's religion is recorded as Christianity[4].
- Judith is in the country of Canada[5].
- Judith's instance of is recorded as painting[6].
- Judith's genre is religious art[7].
- Judith's based on is recorded as Book of Judith[8].
- Judith's part of the series is recorded as Exemplary Women of Antiquity[9].
- Judith's depicts is recorded as Judith[10].
- Judith's depicts is recorded as beheaded head[11].
- Judith is made of tempera[12].
- Judith is made of walnut panel[13].
- Judith's collection is recorded as Montreal Museum of Fine Arts[14].
- Judith's inventory number is recorded as 1920.103[15].
- Judith took place at Montreal Museum of Fine Arts[16].
- Judith's Commons category is recorded as Judith with the Head of Holofernes by Andrea Mantegna (Montreal Museum of Fine Arts)[17].
- January 1, 1495 marks the founding of Judith[18].
- January 1, 1495 marks the founding of Judith[19].
- Judith's main subject is Judith and Holofernes[20].
- Judith's described at URL is recorded as https://www.mbam.qc.ca/en/works/24551/[21].
- Judith's depicts Iconclass notation is recorded as 71U4274[22].
- Judith's height is recorded as {'amount': '+65'}[23].
- Judith's width is recorded as {'amount': '+31'}[24].
- Judith's copyright status is recorded as public domain[25].
Body
Authorship and Creation
Judith is the creator of Andrea Mantegna[3].
Publication
Judith's genre is religious art[7]. Judith's part of the series is recorded as Exemplary Women of Antiquity[9].
Subject and Themes
Judith's main subject is Judith and Holofernes[20]. Judith's part of the series is recorded as Exemplary Women of Antiquity[9].
Material and Period
Recorded made from material include tempera[12] and walnut panel[13]. Judith took place at Montreal Museum of Fine Arts[16].
Why It Matters
Judith is known by 3 alternative names across languages and contexts.[2]