Jerusalem surge (Moteto nº 3)
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Summary
Jerusalem surge (Moteto nº 3) is a musical work/composition[1].
Key Facts
- Jerusalem surge (Moteto nº 3)'s instance of is recorded as musical work/composition[2].
- Jerusalem surge (Moteto nº 3)'s composer is recorded as Luís Álvares Pinto[3].
- Jerusalem surge (Moteto nº 3) is associated with the Brazilian colonial music movement[4].
- Jerusalem surge (Moteto nº 3)'s genre is religious music[5].
- Jerusalem surge (Moteto nº 3)'s collection is recorded as Sheet music of Luís Álvares Pinto[6].
- Jerusalem surge (Moteto nº 3)'s Commons category is recorded as Sheet music of Luís Álvares Pinto[7].
- Jerusalem surge (Moteto nº 3)'s instrumentation is recorded as recorder[8].
- Jerusalem surge (Moteto nº 3)'s instrumentation is recorded as voice[9].
- Jerusalem surge (Moteto nº 3)'s instrumentation is recorded as double bass[10].
- Jerusalem surge (Moteto nº 3)'s instrumentation is recorded as choir[11].
- Jerusalem surge (Moteto nº 3)'s described by source is recorded as Musica Brasilis[12].
- Jerusalem surge (Moteto nº 3)'s title is recorded as Jerusalem surge (Moteto nº 3)[13].
- Jerusalem surge (Moteto nº 3)'s on focus list of Wikimedia project is recorded as Musica Brasilis GLAM[14].
- Jerusalem surge (Moteto nº 3)'s form of creative work is recorded as concerto for recorder[15].
- Jerusalem surge (Moteto nº 3)'s form of creative work is recorded as concerto for double bass[16].
Body
Publication
Jerusalem surge (Moteto nº 3)'s genre is religious music[5].
Subject and Themes
Jerusalem surge (Moteto nº 3) is associated with the Brazilian colonial music movement[4].