Hope II
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Hope II
Summary
Hope II is a painting[1]. It ranks in the top 6% of painting entities by monthly Wikipedia readership (65 views/month).[2]
Key Facts
- Hope II is the creator of Gustav Klimt[3].
- Hope II's image is recorded as Gustav Klimt - Hope, II - Google Art Project.jpg[4].
- Hope II's instance of is recorded as painting[5].
- Hope II's owned by is recorded as Eugenie Primavesi[6].
- Hope II's owned by is recorded as Otto Kallir[7].
- Hope II's owned by is recorded as Vita Künstler[8].
- Hope II's owned by is recorded as private collection[9].
- Hope II's genre is recorded as allegory[10].
- Hope II's collection is recorded as Museum of Modern Art[11].
- Hope II's inventory number is recorded as 468.1978[12].
- Hope II's location is recorded as Museum of Modern Art[13].
- Hope II's Commons category is recorded as Die Hoffnung II[14].
- +1907-01-01T00:00:00Z marks the founding of Hope II[15].
- Hope II's Freebase ID is recorded as /m/03qqz64[16].
- Hope II's main subject is recorded as hope[17].
- Hope II's shape is recorded as square[18].
- Hope II's title is recorded as {'lang': 'en', 'text': 'Hope, II'}[19].
- Hope II's native label is recorded as {'lang': 'de', 'text': 'Hoffnung II'}[20].
- Hope II's different from is recorded as Nadezhda II[21].
- Hope II's Museum of Modern Art work ID is recorded as 79792[22].
- Hope II's height is recorded as {'unit': 'Q174789', 'amount': '+1105'}[23].
- Hope II's width is recorded as {'unit': 'Q174789', 'amount': '+1105'}[24].
- Hope II's Google Arts & Culture asset ID is recorded as igEr3RtRyxrpnw[25].
- Hope II's copyright status is recorded as public domain[26].
- Hope II's HA! artwork ID is recorded as esperanza-ii[27].
Body
Works and Contributions
Hope II is the creator of Gustav Klimt[3].
Why It Matters
Hope II ranks in the top 6% of painting entities by monthly Wikipedia readership (65 views/month).[2] It has Wikipedia articles in 6 language editions, a strong signal of global cultural recognition.[28] It is known by 3 alternative names across languages and contexts.[29]