Home: Part 2
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Summary
Home: Part 2 is a television series episode[1]. It is known by 4 alternative names across languages and contexts.[2]
Key Facts
- Home: Part 2's instance of is recorded as Part 2 — instance of (P31): television series episode[3].
- Home: Part 2 was directed by Part 2 — director (P57): Sergio Mimica-Gezzan[4].
- Home: Part 2 was directed by Part 2 — director (P57): Jeff Woolnough[5].
- Part 2 — screenwriter (P58): David Eick wrote the screenplay for Home: Part 2[6].
- Part 2 — screenwriter (P58): Ronald D. Moore wrote the screenplay for Home: Part 2[7].
- Home: Part 2 followed Part 2 — follows (P155): Home: Part 1[8].
- Home: Part 2 was followed by Part 2 — followed by (P156): Final Cut[9].
- Home: Part 2's part of the series is recorded as Part 2 — part of the series (P179): Battlestar Galactica[10].
- Home: Part 2 is part of Part 2 — part of (P361): Home[11].
- The original language of Home: Part 2 was Part 2 — original language of film or TV show (P364): English[12].
- Home: Part 2's title is recorded as Home: Part 2[13].
- Home: Part 2's season is recorded as Part 2 — season (P4908): Battlestar Galactica, season 2[14].
Body
Authorship and Creation
Directors include Part 2 — director (P57): Sergio Mimica-Gezzan[4] and Part 2 — director (P57): Jeff Woolnough[5]. Screenwriters include Part 2 — screenwriter (P58): David Eick[6] and Part 2 — screenwriter (P58): Ronald D. Moore[7].
Publication
The original language of Home: Part 2 was Part 2 — original language of film or TV show (P364): English[12]. It is part of Part 2 — part of (P361): Home[11]. Its part of the series is recorded as Part 2 — part of the series (P179): Battlestar Galactica[10].
Subject and Themes
Home: Part 2's part of the series is recorded as Part 2 — part of the series (P179): Battlestar Galactica[10].
Adaptations and Inspiration
Home: Part 2 followed Part 2 — follows (P155): Home: Part 1[8]. It was followed by Part 2 — followed by (P156): Final Cut[9].
Why It Matters
Home: Part 2 is known by 4 alternative names across languages and contexts.[2]